Cabinet Composition, Collegiality, and Collectivity: Examining Patterns in Cabinet Committee Structure

This article examines one arena of decision-making in cabinet government: cabinet committees. It assesses the relationship between the composition of cabinets – their party make-up – and the structure of cabinet committees. Cabinet committees are groups of ministers tasked with specific policy or coordination responsibilities and can be important mechanisms of policymaking and cabinet management. Thus, the structure of committees informs our understanding of how cabinets differ in their distributions of policy influence among ministers and parties, a central concern in parliamentary government. We investigate two such dimensions: collegiality – interaction among ministers – and collectivity, the (de)centralization of influence. We find that cabinet committees in coalitions are significantly more collegial, on average, than single-party cabinets, though this is driven by minority coalitions. At the same time, influence within cabinet committees is less collectively distributed in most types of coalitions than in single-party cabinets.

Karel Nel & COSMOS: A Far-Reaching Artist-in-Residence Collaboration

The phenomena of the universe form a common focus for the interrelationship between art that has space as its central concern and the astronomical sciences, as both disciplines strive to observe and express the mysteries of the cosmos. An unwavering mutual interest in space and mutual respect for each discipline form the nexus between the two. Some scientific projects have artist-in-residence programs that promote innovative art/science dialogues. Although most residencies are designed for the short term, one has certainly stood the test of time. The authors analyze one 15-year collaboration between visual artist Karel Nel and Caltech's Cosmic Evolution Survey, COSMOS.

‘Ozymandias’

The textual history of Shelley’s famous, much-anthologized sonnet ‘Ozymandias’ is brought into relationship with the poem’s own central concern with the ironies accumulating around a monument which long outlasts the occasion and moment of its first creation. A detailed analysis of the poem’s rhetorical structure, poetic technique, and ramifying ironies leads in to a meditation on the status of the literary work of art, and its reliance for transmission through time on an editorial tradition. Successive early versions of the poem, both manuscript and print, are compared, and the significance of their differences considered as exemplifying a variation of the ironies at play within the poem. The lesson taught to tyranny by the survival of the ruined statue has affinity with the dependence of the poem itself on the editorial tradition which has maintained its existence.

Literary Geographies in Balzac and Proust

Literary geography is one of the core aspects of the study of the novel, both in its realist and post-realist incarnations. Literary geography is not just about connecting place-names to locations on the map; literary geographers also explore how spaces interact in fictional worlds and the imaginary of physical space as seen through the lens of characters' perceptions. The tools of literary cartography and geographical analysis can be particularly useful in seeing how places relate to one another and how characters are associated with specific places. This Element explores the literary geographies of Balzac and Proust as exemplary of realist and post-realist traditions of place-making in novelistic spaces. The central concern of this Element is how literary cartography, or the mapping of place-names, can contribute to our understanding of place-making in the novel.

Communicating God’s war. Accounts of holy war in Polish medieval narrative sources

The authors of Polish medieval narrative accounts from and about Poland communicated episodes of Christian holy war and proto-crusades in a distinct and consistent way from the early twelfth century. In this article I will argue that the anonymous author of the Gesta principum Polonorum presented the Polish conquest of Pomerania as a holy war, and that a hundred years later, the learned Vincentius Bishop of Cracow in his Chronica Polonorum depicted three military campaigns against the Prussian pagans and apostates as crusading expeditions. I will also argue that the first Polish historian Jan Długosz, deliberately celebrated and highlighted these earlier accounts to his contemporary fifteenth century readership, using these histories to position Poland’s rulers as having a longstanding and consistent commitment to crusading, at a time when participation in crusades was a central concern of Poland’s ruling elites. This article will conclude that each of these written works was a commissioned text and part of a deliberate strategy by the rulers of Poland to communicate their engagement in Christian holy wars at the periphery of Christian Europe.

Perspectives: Introduction

In August 2019, economist Johan Fourie of Stellenbosch University invited Historia to publish a "reflection piece" he had written and presented in March that year at the University of the Free State. In it, he puts forward his views of what History does, what it ought to do, and how it can perhaps be done better here in (South) Africa. His central concern is with big data and digitising records. He issues a number of seemingly bold challenges and provocations to historians. A slightly edited version of that piece is reproduced below. Rather than publish it as a stand-alone piece, however, and in the spirit of respectful exchange, we are publishing four substantial engagements with several of the arguments made by Fourie. These responses are by Faeeza Ballim, Gerald Groenewald, Jennifer Upton and Tinashe Nyamunda, all of whom are experts in their respective fields and experienced in their craft. Each takes the substantive points made by Fourie seriously, and responds to them in different ways. Best read as perspectives on a complex and enduring debate amongst people who are mindful of the politics of the past as well as being critically engaged with what historians "do" in the present, they recognise the technological and methodological promises of digital histories and big data, but eloquently remind us too of their limitations and indeed their potential pitfalls. There is much more to discuss, not the least of which is the responsibility for the ownership of and access to such records in a democratic and socially just world. The authors' information is included at the close, after a brief "Response" by Fourie.

Postcolonial Identities in Dinaw Mengestu’s Literary Chronotope

The critical discussion in this article is on postcolonial identities and it centres on Dinaw Mengestu's novels Children of the Revolution and All Our Names. It is contended that the term postcolonial identities is taken to mean the awareness of the subaltern as they try to negotiate who they are within the chronotopic hybridized African space in the postcolonial context. In the epigraph above, Gayatri Spivak describes the culturally oppressed, the subaltern, as having neither antiquity nor ability for speech due to the milieu of colonial production in which they operate. Important for the study, history and speech happen in time-space. Therefore, the identities of the subaltern, which Spivak associates to history and speech, come into being in the novel through fusion of time-space indicators. Cued by Spivak’s unique assertion, how Mengestu’s Children of the Revolution and All Our Names address themselves to postcolonial identities through fusion of time-space indicators is the central concern of this paper.

An Ecofeminist Reading of Thomas Hardy’s Tess of the D’urbervilles and its Movie Adaptation by Roman Polanski: A Comparative Study

Ecofeminist examination of audio-visual and textual narratives is the central concern of this article. At the core of my study is a comparative analysis of Thomas Hardy’s Tess of the d’Urbervilles (1891) and its movie adaptation by Roman Polanski (1979), with an aim to explore convergent and divergent ecofeminist imperatives. I argue that the novel highlights the intersection between the oppression of women and exploitation of nature. By contrast, the movie adopts an ambiguous stance that undermines the potential of an ethical ecofeminist critique. This is clearly reflected through scenes that represent the encounter between Alec and Tess as a pastoral romance taking place against the backdrop of nature, that ultimately serve to cast their association as the result of natural instinct rather than a crime. This reworking of the novel seems to suggest that the movie’s thrust as a whole is towards exonerating Alec, which undermines the novels’ ecofeminist overtones.

The Impact of Earthquakes on Apartment Owners and Renters in Te Whanganui-a-Tara (Wellington) Aotearoa New Zealand

Apartment dwelling is on the increase in many cities in Aotearoa New Zealand, including those in earthquake-prone regions. Hence it is important that people working in disaster management and housing improve their understanding on how the living situations of apartment dwellers influence their disaster management practices. This knowledge is crucial for efforts to promote safety and preparedness. This paper explores what enables and constrains apartment dwellers in their ability to prepare for an earthquake. Eighteen people were interviewed who resided in Te Whanganui-a-Tara (Wellington) two years after the 2016 7.8 magnitude (Mw) Kaikōura earthquake. Of central concern was people’s ability to prepare for disasters and access knowledge about building and structural safety and how this knowledge mattered to what apartment dwellers were able to prepare for. We found that the agency to prepare was dependent on whether people owned or rented their dwellings. We report on participant accounts of dealing with body corporations, landlords, emergency kits, other emergency items, and evacuation plans.

Situated perspectives on the city: a reflection on scaling participation through design

This article explores the relationship between design methodologies and the scaling of participation in cities. The article recognizes that the scaling of community-led informal settlement upgrading is a central concern in the broader debate on scaling participation, and it interrogates the potential contribution of design methodologies in connecting localized, community-led upgrading initiatives outwards and upwards. We discuss these ideas by drawing on our own experience of devising and facilitating a number of participatory design and planning initiatives titled Change by Design with the non-profit organization Architecture Sans Frontières – UK (ASF-UK). Reflecting on this experience, we argue that the inclusion of a design-based, city-level perspective in localized upgrading initiatives can be a powerful conceptual and practical tool to support horizontal, vertical and deep scaling; and we highlight the importance of constructing this design tool in an embodied and situated manner, so that scaling processes remain firmly grounded in everyday lives and experiences.