The Question of Being: Greece, India and China

One of the main features of the European perception of reality is that it is understood in terms of Parmenides’ wondering that “there is Being”. This concept is crucial for the Western tradition. In Western thought, the issue of Being is presented in pairs with two possible opposites: becoming and non-being. In this article, the concept of Being as it is presented in the Ancient Greek thought will be presented in comparison with similar concepts in Indian and Chinese traditions. The main aim of the paper is to outline the peculiarities and importance of each tradition.

The Madhyamaka Contribution to Skepticism

This paper examines the work of Nāgārjuna as interpreted by later Madhyamaka tradition, including the Tibetan Buddhist Tsongkhapa (1357–1419). It situates Madhyamaka skepticism in the context of Buddhist philosophy, Indian philosophy more generally, and Western equivalents. Find it broadly akin to Pyrrhonism, it argues that Madhyamaka skepticism still differs from its Greek equivalents in fundamental methodologies. Focusing on key hermeneutical principles like the two truths and those motivating the Svātantrika/Prāsaṅgika schism (i.e., whether followers of Nāgārjuna should offer positive arguments or should proceed on a purely “negative” basis), it argues that the Svātantrika commitment to mere conventional practice is robust and allows for a skepticism consistent with the scientific practices we must take seriously in the modern world. These findings are put forth as an illustration of what the Western tradition might gain by better understanding of non-Western philosophy.

Privacy Within the Private Order: A Critical Evaluation of the Market-Based System Governing Data Collection in the United States

This paper critically evaluates the market-based system governing data collection in the United States. The discussion is centred around Big Tech, a group of information intermediaries responsible for the ongoing extraction and exploitation of consumer data. The exploitative system is enabled by the ubiquitous privacy policy, which ostensibly offers data subjects ‘notice’ of data collection and the ‘choice’ to consent to said collection. This paper critiques the ‘notice and choice’ model, concluding the combined ambiguity and opacity of the privacy policy fail to offer subjects meaningful control over their data. To substantiate this argument, the paper evaluates the suitability of the market-based system in a broader sense, arguing that data collection practices precludes the knowledge parity necessary for an operative and fair market-based system. The paper concludes by ascertaining the suitability of state-based regulation, identifying data’s intrinsic relationship with ideals that are core to the Western tradition: equality, democracy, and autonomy.

THE ROLE HAGIOGRAPHY IN THE OF G.P. FEDOTOV'S RELIGIOUS PHILOSOPHY

Агиография занимает важное место в наследии Г.П. Федотова, обращение к этой проблематике связано с эволюцией его мировоззрения от марксизма к неохристианству. Под влиянием западной традиции Бл. Августина, П. Абеляра он обращается к святоотеческому наследию, рассматривая условия возникновения агиографических жанров, выявляет их особенности и критерии святости, описывает типы святости, сложившиеся на Руси. Hagiography occupies a significant place in Fedotov's legacy; the appeal to this problem is connected with the evolution of his worldview from Marxism to neo-Christianity. Under the influence of the Western tradition of St. Augustine, P. Abelard, he turns to the patristic heritage, considering the conditions for the emergence of the hagiographic genre, identifies its features and criteria of holiness, describes the types of holiness that have developed in Russia.

Nose-wise: Smell Studies Come of Age

This essay argues that to arrive at a proper understanding of the aesthetic and cognitive potential of smell, we must look outside the western tradition to those traditions where the power of smell does not carry all the baggage, all the disqualifications that Kant and Freud, and even Proust, saddled it with. The cases of Indian perfumery, the Chinese incense clock, and the Japanese incense ceremony known as kōdō, which involves “listening to the incense” (ko wo kiku), are presented by way of example. This essay also seeks to recover the original meaning of the term “aesthetic,” which Baumgarten defined as the science of grasping “the unity in multiplicity of sensible qualities.”

Law and the Quest for Autonomy in the Western Tradition

This paper shall focus on the evolving features of autonomy and normativity in Western societies. The autonomy of Law as a product of deliberate will, regardless of other metaphysical or scientific considerations, is perpetually questioned in modern discussions of legality.

Re-imagining the great masters: translations into print by John Drawbridge

<p>This thesis examines the prints of New Zealand printmaker, John Drawbridge, with a specific focus on a small but significant part of his print oeuvre, his mezzotints from the 1980s and 1990s, in which he directly quotes European great master artists. Drawbridge studied printmaking in London and Paris in the late 1950s and early 1960s and it is this experience that informed his artistic practice for the rest of his career. Through his quotations of great artists and his practice of working in the hand-made printmaking tradition, Drawbridge recreates that Western tradition through his own technical expertise and imagination. However, what is distinctive about Drawbridge’s contribution to this well-established tradition is how he treats his source material: how he takes it out of its original context, and modernises and defamiliarises it by relocating it within a pictorial space that references his own life and location. In the first chapter, Drawbridge’s English and European experiences and education are examined to reveal the background to his work: the traditional printmaking processes and the cultural ethos of the period. The second chapter looks at the artistic scene in New Zealand after he returned in early 1964 and the varied reception to his work. These two chapters provide the necessary context for the concluding chapter in which a case is made for the symbiotic relationship between the European tradition Drawbridge so much admired and his concern to locate his work back in New Zealand. By means of intertextual references, he engages with and explores the nature of the art of the past and the present, the traditional and the modern, the international and the local. This thesis argues that Drawbridge imaginatively critiques and renews the paintings he quotes in these translations from painting to print, and that consequently these prints reward a far more complex reading than they have been previously accorded. Through close examination of these prints it is clear that Drawbridge has made a unique contribution to New Zealand art.</p>

Re-imagining the great masters: translations into print by John Drawbridge

<p>This thesis examines the prints of New Zealand printmaker, John Drawbridge, with a specific focus on a small but significant part of his print oeuvre, his mezzotints from the 1980s and 1990s, in which he directly quotes European great master artists. Drawbridge studied printmaking in London and Paris in the late 1950s and early 1960s and it is this experience that informed his artistic practice for the rest of his career. Through his quotations of great artists and his practice of working in the hand-made printmaking tradition, Drawbridge recreates that Western tradition through his own technical expertise and imagination. However, what is distinctive about Drawbridge’s contribution to this well-established tradition is how he treats his source material: how he takes it out of its original context, and modernises and defamiliarises it by relocating it within a pictorial space that references his own life and location. In the first chapter, Drawbridge’s English and European experiences and education are examined to reveal the background to his work: the traditional printmaking processes and the cultural ethos of the period. The second chapter looks at the artistic scene in New Zealand after he returned in early 1964 and the varied reception to his work. These two chapters provide the necessary context for the concluding chapter in which a case is made for the symbiotic relationship between the European tradition Drawbridge so much admired and his concern to locate his work back in New Zealand. By means of intertextual references, he engages with and explores the nature of the art of the past and the present, the traditional and the modern, the international and the local. This thesis argues that Drawbridge imaginatively critiques and renews the paintings he quotes in these translations from painting to print, and that consequently these prints reward a far more complex reading than they have been previously accorded. Through close examination of these prints it is clear that Drawbridge has made a unique contribution to New Zealand art.</p>

The Place of Human Beings in the Natural Environment - Aristotle’s Philosophy of Biology and the Dominant Anthropocentric Reading of Genesis

In a seminal essay from 1967, historian Lynn White, Jr., argues that the profound cause of today’s environmental crisis is the anthropocentric perspective, embedded in the Christian “roots” of Western tradition, which assigns an intrinsic value to human beings solely. Though White’s thesis relies on a specific tradition – the so-called “dominant anthropocentric reading” of Genesis – the idea that anthropocentrism provides the ideological basis for the exploitation of nature has proven tenacious, and even today is the ground assumption of the historical and philosophical debate on environmental issues. This paper investigates the possible impact on this debate of a different kind of anthropocentrism: Aristotle’s philosophy of biology. The topic is controversial, since it involves opposing traditions of interpretations; for the purpose of the present paper, the dominant anthropocentric reading of Gen. 1.28 will be analyzed, and the relevant passages from Aristotle’s De Partibus Animalium, showing his commitment to a more sophisticated anthropocentric perspective, will be reviewed.