The Aesthetic Characteristics Embodied in Hayudang Lee Seok-shin’s Chinese Poetry

2021 ◽  
Vol 6 ◽  
pp. 41-85
Author(s):  
Hoon-shik Yang
Keyword(s):  
Chinese Poetry ◽  
The Aesthetic ◽  
Aesthetic Characteristics

scholarly journals “Poems in Prose” by I. S. Turgenev and Aesthetic Features of Traditional Chinese Poetry

2020 ◽  
pp. 17-24
Author(s):  
Лю. Чжицян ◽  
На. Сай
Keyword(s):  
Chinese Literature ◽  
Chinese Philosophy ◽  
Chinese Poetry ◽  
Prose Poems ◽  
Classical Chinese ◽  
Classical Poetry ◽  
History Of ◽  
The Aesthetic ◽  
Aesthetic Characteristics ◽  
First Time

В статье рассматривается один из аспектов в истории восприятия русской литературы в Китае — соотношение стихотворений в прозе И. С. Тургенева (1818–1883) и китайской традиционной литературы. Изучаются причины особой популярности стихотворений в прозе И. С. Тургенева среди китайской читательской аудитории. Новизна исследования заключается в том, что в работе впервые представлен обзор о связях между «Стихотворениями в прозе» И. С. Тургенева и традиционной китайской поэзией. Материалом для исследования послужили как тексты традиционной китайской прозы Фу, так и стихотворения для пения Цы и древние малые саньвэни. Особое внимание уделяется анализу внутренних причин — связи традиционной китайской литературы с жанровыми и эстетическими особенностями тургеневских стихотворений в прозе. Выявляется «созвучие» ритма, сюжетов, тематики, композиционных и стилистических приемов при описании природы в стихотворениях в прозе И. С. Тургенева и китайской классической поэзии. Авторы останавливаются на том, как И. С. Тургенев с помощью описания природы выражает собственные чувства. Подчеркивается, что такой лирический прием соответствует как стетическим и художественным особенностям поэтов Древнего Китая, так и классической китайской философии. Проведенный анализ позволяет убедиться в том, что причиной популярности стихотворений в прозе И. С. Тургенева в Китае является соответствие эстетическим характеристикам классической китайской литературы. The article examines one of the aspects in the history of perception of Russian literature in China — the interrelationship of a prose poem by I. S. Turgenev (1818–1883) and Chinese traditional literature. The authors study the popularity of poems in prose by I. S. Turgenev among the Chinese readership. The novelty of the research lies in the fact that this work presents, for the first time, an overview of the links between “poems in prose” by I. S. Turgenev and traditional Chinese poetry. The material for the study was both texts of traditional Chinese prose Fu, as well as poems for singing Tsu and ancient small sanwen. Special attention is paid to the analysis of internal reasons — the connection of traditional Chinese literature with the genre and aesthetic features of Turgenev's poems in prose. The authors discuss the similarity and consonance of form, rhythm, plots, themes and similar techniques in describing nature in prose poems by I. S. Turgenev and Chinese classical poetry. The authors specifically focus on how I. S. Turgenev uses the description of nature to express his own feelings. It is emphasized that this lyrical technique not only corresponds to the aesthetic and artistic features of the poets of Ancient China, but also corresponds to classical Chinese philosophy. The analysis allows us to make sure that the reason for the popularity of poems in prose by I. S. Turgenev in China is the compliance with the aesthetic characteristics of classical Chinese literature.

A Study on the Aesthetic Characteristics of Camera Frame, Lens and Speed in Film Acting

2020 ◽  
Vol 17 ◽  
pp. 1-16
Author(s):  
Seo-Yeon Park ◽  
◽  
Nak-Won Song
Keyword(s):  
The Aesthetic ◽  
Aesthetic Characteristics

scholarly journals Decoding the Visual Characteristics of Chinese Painting Strokes-A Study on Gao Gu You Si Stroke

2021 ◽  
Vol 236 ◽  
pp. 05093
Author(s):  
Xue Hu ◽  
Eakachat Joneurairatana ◽  
Sone Simatrang
Keyword(s):  
Visual Culture ◽  
Le Corbusier ◽  
Visual Design ◽  
Chinese Painting ◽  
Cultural Characteristics ◽  
Local Characteristics ◽  
Visual Characteristics ◽  
The Aesthetic ◽  
The One ◽  
Aesthetic Characteristics

The architect Le Corbusier once said this theory: Design has local characteristics and universal characteristics. Local characteristics are greatly influenced by culture. The strokes are the one essence of Chinese painting that characteristics of the strokes are unique to Chinese visual culture. Among Chinese painting strokes, Eighteen Strokes are the typical representative of the aesthetics of Chinese visual culture. However, the current research on the cultural characteristics of Eighteen Strokes is insufficient. The objective of this article is taking Xie He’s Six Canons as the theory to decode the content of the aesthetic characteristics of the Gao Gu You Si Stroke (one of the Eighteen Strokes), then to get the visual cultural characteristics of Chinese painting strokes and the fundamental perspective characteristics of the inheritance visual cultural. Based on this, this article will use the Content Analysis Approach to conduct research, by decoding the aesthetic content of the Chinese painting strokes to construct the personality and characteristics required by Chinese visual design.

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