scholarly journals La antropología musical: informe sobre sus objetivos y trabajos de investigación

2019 ◽  
pp. 257
Author(s):  
Wolfgang Suppan
Keyword(s):  
Anthropology Of Music

Desde 1951 en que el filósofo alemán Hans Plessner publicó su artículo «Anthropology of Music», se ha intentado descubrir desde diferentes disciplinas cómo se interrelacionan el ser humano y la música. Los libros Sound and Symbol (1956) y Man the Musician (1973) de Viktor Zuckerkandl, Anthropology of Music (1964) de Alan B. Merriam, How Musical is Man? de John Blacking (1973), Der musizierende Mensch. Eine Anthropologie der Musik (1984) y Música humana (1986) de Wolfgang Suppan constituyen los pasos más importantes hacia una nueva e interdisciplinaria ciencia de la música. Pero el pensar sobre la necesidad de la música por parte del hombre y la sociedad aparece ya en las antiguas filosofías de China y Grecia. Nuestro estudio y repaso bibliográfico sobre el desarrollo de la investigación antropológico-musical toma asimismo en consideración al jesuíta español P. Antonio Eximeno y Pujades, quien en el siglo XVIII publicó en sus poco conocidos libros importantes ideas sobre nuestra temática.

The Anthropology of Music

1966 ◽  
Vol 10 (1) ◽  
pp. 118
Author(s):  
Robert F. Spencer ◽  
William P. Malm ◽  
Alan P. Merriam
Keyword(s):  
Anthropology Of Music

scholarly journals The dynamic phenomena of strékan music from colonial to contemporary era in Situbondo

2017 ◽  
Vol 17 (1) ◽  
pp. 1
Author(s):  
Panakajaya Hidayatullah
Keyword(s):  
Field Data ◽  
Social Problems ◽  
Social Condition ◽  
Power Relation ◽  
Colonial Era ◽  
Anthropology Of Music ◽  
Dynamic Phenomena

<p class="IsiAbstrakIndo"><span lang="EN-GB">This research is an anthropology of music which discusses the dynamics of <em>strékan </em>music from colonial to contemporary era in Situbondo. In Situbondo, <em>strékan </em>is a term which refers to music for welcoming guests. By ethnography method and postcolonial perspective, this research will discuss social problems and phenomena of <em>strékan </em>music. The result of this research shows that a change of <em>strékan </em>music signifies a change of social condition in Situbondo. In colonial era <em>strékan </em>is assumed by people like music for elite class. The field data show that there is unequal power relation between colonized and colonizer. In pasca-colonial era the hierarchy relation becomes ambivalent. It appears negotiation space between colonial signs and Madurese culture of Situbondo people, considered to be symbolic resistance. <em>Strékan </em>music is reinterpreted as music for low class. In the contemporary era, <em>strékan </em>music tends to market oriented. <em>Strékan </em>music includes <em>dangdut</em> music, following market taste as a consequence of commercialization of art.</span></p>

[The Anthropology of Music]

RAIN ◽  
1978 ◽  
pp. 5
Author(s):  
Klaus Wachsmann ◽  
Roger Blench
Keyword(s):  
Anthropology Of Music
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