The dynamic phenomena of strékan music from colonial to contemporary era in Situbondo
<p class="IsiAbstrakIndo"><span lang="EN-GB">This research is an anthropology of music which discusses the dynamics of <em>strékan </em>music from colonial to contemporary era in Situbondo. In Situbondo, <em>strékan </em>is a term which refers to music for welcoming guests. By ethnography method and postcolonial perspective, this research will discuss social problems and phenomena of <em>strékan </em>music. The result of this research shows that a change of <em>strékan </em>music signifies a change of social condition in Situbondo. In colonial era <em>strékan </em>is assumed by people like music for elite class. The field data show that there is unequal power relation between colonized and colonizer. In pasca-colonial era the hierarchy relation becomes ambivalent. It appears negotiation space between colonial signs and Madurese culture of Situbondo people, considered to be symbolic resistance. <em>Strékan </em>music is reinterpreted as music for low class. In the contemporary era, <em>strékan </em>music tends to market oriented. <em>Strékan </em>music includes <em>dangdut</em> music, following market taste as a consequence of commercialization of art.</span></p>