scholarly journals Gaspare Polizzi, Giacomo Leopardi. La concezione dell’umano, tra utopia e disincanto

2013 ◽  
pp. 557-559
Author(s):  
Andrea Natali
Keyword(s):  
2019 ◽  
Vol 13 (4) ◽  
pp. 495-507 ◽  
Author(s):  
Felice Cimatti

The tradition of Italian Thought – not the political one but the poetic and naturalistic one – finds in the philosophy of Gilles Deleuze a way to enter into the new century, the century of immanence and animality. In fact, Deleuze himself remained outside the main philosophical traditions of his own time (structuralism and phenomenology). The tradition to which Deleuze refers is the one that begins with Spinoza and ends with Nietzsche. It is an ontological tradition, which deals mainly with life and the world rather than with the human subject and knowledge. Finally, the text sketches a possible dialogue between Deleuze and the poet-philosopher Giacomo Leopardi, one of the most important (and still unknown) figures of Italian Thought.


Italica ◽  
1950 ◽  
Vol 27 (1) ◽  
pp. 48 ◽  
Author(s):  
Hilda Norman Barnard ◽  
Carmelo Musumarra
Keyword(s):  

2006 ◽  
Vol 36 (4) ◽  
pp. 621-628
Author(s):  
Mary Ann Smart

Giacomo Leopardi was convinced that the willingness of Italians to wallow passively in operatic spectacle was an important reason for Italy's lack of a civil society based on debate and the exchange of opinions. Despite recent proposals that opera and opera going constituted signiªcant means of social engagement and contributed to regional and/or national identity, the preoccupations of early nineteenth-century music journalism suggest that opera existed outside the mainstream of both political and aesthetic debate, and was not yet the subject of a truly vibrant national discourse.


1994 ◽  
Vol 45 (1) ◽  
pp. 53-73
Author(s):  
JENS LÜDTKE
Keyword(s):  

2009 ◽  
Author(s):  
Corrado Pestelli

Carlo Antici e l'ideologia della Restaurazione in Italia traces Antici's career as an essayist, translator of works of the Catholic Restoration and contributor to journals. This appraisal brings to light the link (albeit not designatory) with the ideology of conservative romanticism, as witnessed by the citations from Chateaubriand, the early Lamennais and De Maistre. Penned in the form of utopian essay, Antici's standpoint tends towards a theocratic concept and a renewed patrimonialist vision of the State, surfacing in the hope of an Empire-Papacy combination. The relationship with Giacomo Leopardi in its turn triggers a series of suggestions for reading destined to be independently reworked by a nephew anything but deaf to dialogue with his uncle, readings that range from the ancients, especially Greek, to the aforementioned contemporary French Catholic writers.


2021 ◽  
pp. 2-9
Author(s):  
Emma Vázquez-Espinosa ◽  
◽  
Claudio Laganà ◽  
Fernando Vazquez ◽  
◽  
...  

Se analiza la patobiografia de tres de los más importantes escritores y poetas entre los siglos XVI al XIX: Francisco de Quevedo, Alexander Pope y Giacomo Leopardi, que presentaron la característica de padecer probablemente la enfermedad de Pott y como afectó este proceso a su vida y obra


Evil ◽  
2019 ◽  
pp. 350-357
Author(s):  
Silvia De Toffoli

Giacomo Leopardi, a major Italian poet of the nineteenth century, was also an expert in evil to whom Schopenhauer referred as a “spiritual brother.” Leopardi wrote: “Everything is evil. That is to say, everything that is, is evil; that each thing exists is an evil; each thing exists only for an evil end; existence is an evil.” These and other thoughts are collected in the Zibaldone, a massive collage of heterogeneous writings published posthumously. Leopardi’s pessimism assumes a polished form in his literary writings, such as Dialogue between Nature and an Islander (1824)—an invective against nature and the suffering of creatures within it. In his last lyric, Broom, or the flower of the desert (1836), Leopardi points to the redeeming power of poetry and to human solidarity as placing at least temporary limits on the scope of evil.


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