Edoardo Sanguineti, La conscience de classe. Comment adhère-t-on au matérialisme historique ?

Lectures ◽  
2018 ◽  
Author(s):  
Adrien Mazières-Vaysse
Keyword(s):  
Edoardo Sanguineti

Edoardo Sanguineti

2016 ◽  
pp. 136-141
Author(s):  
János Riesz ◽  
Gerhard Wild
Keyword(s):  
Edoardo Sanguineti

Luciano Berio e Edoardo Sanguineti.

2020 ◽  
pp. 167-178
Author(s):  
Mila De Santis
Keyword(s):  
Luciano Berio ◽  
Edoardo Sanguineti

scholarly journals L’expérience du Teatro del Suono d’Andrea Liberovici et Edoardo Sanguineti : théorie et pratique d’une nouvelle utilisation du son au théâtre

2016 ◽  
pp. 93-105
Author(s):  
Stéphane Resche
Keyword(s):  
Edoardo Sanguineti

Cet article propose un parcours à travers les différentes productions du Teatro del Suono (1996-2006), notamment les premiers succès Rap (1996) et Sonetto (1997). Son fondateur Andrea Liberovici privilégiait une écoute approfondie de la musicalité intrinsèque d’un texte afin d’en tirer de nouvelles interprétations et de nouvelles utilisations, d’exploiter toutes les possibilités communicatives du son, de dépasser les barrières imposées à la composante acoustique du théâtre, de sortir des carcans interprétatifs, de sensibiliser le spectateur par les sens, bref, comme le disait Liberovici lui-même, de le « prendre à l’hameçon par la tranquillité monotone et connue d’un fragment déclaré de sens, puis [de] l’emporter à travers un langage musical symbolique et stratifié ».

The Midlife Poetry of Edoardo Sanguineti

2017 ◽  
pp. 71-89
Author(s):  
Thomas E. Peterson
Keyword(s):  
Edoardo Sanguineti

My Relationship with Edoardo Sanguineti

2017 ◽  
pp. 194-196
Author(s):  
Renato Barilli
Keyword(s):  
Edoardo Sanguineti

Edoardo Sanguineti: A Unique Translator

2017 ◽  
pp. 143-157
Author(s):  
Jacob Blakesley
Keyword(s):  
Edoardo Sanguineti

EDOARDO SANGUINETI

2017 ◽  
pp. 414-431
Keyword(s):  
Edoardo Sanguineti

Poematicità e teatro in versi in nel Purgatorio di Mario Luzi

2021 ◽  
Vol 41 (2) ◽  
pp. 33-50
Author(s):  
Valentina Mele
Keyword(s):  
Edoardo Sanguineti

Il presente contributo analizza la riscrittura teatrale della seconda cantica dantesca ad opera di Mario Luzi, intitolata Il Purgatorio. La notte lava la mente. Drammaturgia di un’ascensione, parte di un più ampio progetto, che coinvolse anche Edoardo Sanguineti (Inferno) e Giovanni Giudici (Paradiso), commissionato dal regista Federico Tiezzi e portato a termine tra il 1989 e 1991. Leggendo la drammaturgia nel contesto della poesia e della poetica luziane, e del preciso riuso di Dante (specie nell’ultimo Luzi), il saggio discute l’operazione di riappropriazione della parola dantesca e la sua rilevanza ai fini dell’articolazione dell’identità autoriale nel testo.

Brains on the asphalt: Three punk expressions of crisis

2021 ◽  
Author(s):  
Franko Burolo
Keyword(s):  
United Kingdom ◽  
Comparative Analysis ◽  
European Countries ◽  
Modern History ◽  
Avant Garde ◽  
The United Kingdom ◽  
The World ◽  
Edoardo Sanguineti ◽  
Libertarian Socialism

Since its crisis-marked beginnings, punk’s relationship with anarchism could be described as ‘complicated’. In spite of the wide use of the word and the circled ‘A’ symbol, not every artist considered anarchy in its political meaning of radical egalitarianism and libertarian socialism. This article explores the ‘impulse of anarchy’ in punk, as considered by Edoardo Sanguineti, as a more-than-political aesthetic phenomenon present in all avant-garde poetry (and arts in general) in modern history, consciously or not, whose ultimate goal is to change life and modify the world. Through this perspective, the article presents a comparative analysis of three expressions of crisis by three different punk groups from three different European countries, in three different languages: ‘Možgani na asfaltu’ (‘Brains on the Asphalt’) in Slovene by Berlinski zid from (then) Yugoslavia, ‘Lasciateci sentire ora’ (‘Let Us Hear Now’) in Italian by Franti from Italy and ‘Crisis’ in English by Poison Girls from the United Kingdom. The article will thus try to contribute to the understanding of anarchist and anarchic influences in coping with crisis under international capitalism and bourgeois hegemony.

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