Observing the ‘Fluid’ Continuity of an IT Artefact

Author(s):  
Rennie Naidoo ◽  
Awie Leonard

Novel contemporary healthcare information systems offer the prospect of exploring unique features of the IT artefact and probing the finer, integral relations between society, technology, and humans. Some of these IT artefacts are innately complex and current theoretical perspectives are too limited to enrich their understanding. Using material from a longitudinal case study of an Internet-based self-service technology implementation in the private healthcare insurance context, this paper explores various aspects of ‘fluid continuity’ enacted by a technological object. The authors observe the object’s varying identities, its vague boundaries, its unexpected usage patterns, and its resourceful designers. They also analyze both the success and failure of the technological object, its complex and elusive relations, and the way in which it shaped new configurations of practice in the RSA and UK. This paper challenges conventional perspectives of a stable and enduring IT artefact and offers an alternative; it claims that a contemporary IT artefact is not necessarily delineated by firm boundaries or stable relations; instead they can be unpredictable and transitory. This paper furthers the understanding of how researchers can apply post actor network theory (ANT) concepts to study contemporary IT-based artefacts and offers several insights to practitioners on the virtues of a flexible implementation approach.

Author(s):  
Rennie Naidoo ◽  
Awie Leonard

This chapter extends existing metaphors used to conceptualise the unique features of contemporary IT artifacts. Some of these artifacts are innately complex, and current conceptualisations dominated by a “black box” metaphor seem to be too limited to further advance theory and offer practical design prescriptions. Using empirical material drawn from a longitudinal case study of an Internet-based self-service technology implementation, this chapter analyses various aspects of an artifact's fluidity. Post-actor network theory concepts are used to analyse the artifact's varying identities, its vague boundaries, its unexpected usage patterns, and its resourceful designers. The successes and failures of the artifact, its complex and elusive relations, and the unintended ways user practices emerged, are also analysed. This chapter contributes by extending orthodox metaphors that overemphasise a stable and enduring IT artifact—metaphors that conceal the increasingly unpredictable and transitory nature of IT artifacts—with the distinctive characteristics of fluidity. Several prescriptions for the design and management of fluid IT artifacts are offered.


2010 ◽  
pp. 1668-1688
Author(s):  
R. Naidoo ◽  
A. Leonard

This chapter adopts an interpretive, case based research strategy to discuss the centrality of meaning in implementing an Internet-based self-service technology. Actor-Network theory (ANT) is used to describe the complex evolution of a Web-based service at a healthcare insurance firm. Using processes of inscribing, translating and framing, this chapter explores the emergence of the technology from 1999 – 2005 using three technological frames, ‘channel of choice’, ‘dazzle the customer’, and ‘complementary channel’ as episodes of translation. ANT demonstrates that the Internet-based self-service technology at this particular healthcare context emerged out of many unplanned negotiations and mediations with both human and non human actors. Finally, this chapter argues that ANT’s socio-technical lens provides a richer understanding of the meaning of Internet-based self-service technology within a multi-channel context.


Author(s):  
Rennie Naidoo

Despite the rampant growth in technology-based service delivery options, the implementation of these contemporary forms of service channels continues to be risky and problematic for organisations. Current conceptualisations of IS implementation is rather narrow and highlights only particular aspects of this phenomenon. This paper adopts a socio-technical lens to enhance our understanding of the implementation of an Internet-based self-service technology (ISST) at a major South African healthcare insurance firm. Actor-Network theory’s (ANT) key conceptual elements of inscription and translation are used to describe how the design and use of this self-service technology emerged from the co-entanglement between the technological and social. Drawing from a field study, this paper demonstrates the complex interdependencies and interactions among contrasting social, political, economic and technological issues and therefore advances implementation theory for these contemporary service channels in yet another important way.


Author(s):  
R. Naidoo ◽  
A. Leonard

This chapter adopts an interpretive, case based research strategy to discuss the centrality of meaning in implementing an Internet-based self-service technology. Actor-Network theory (ANT) is used to describe the complex evolution of a Web-based service at a healthcare insurance firm. Using processes of inscribing, translating and framing, this chapter explores the emergence of the technology from 1999 – 2005 using three technological frames, ‘channel of choice’, ‘dazzle the customer’, and ‘complementary channel’ as episodes of translation. ANT demonstrates that the Internet-based self-service technology at this particular healthcare context emerged out of many unplanned negotiations and mediations with both human and non human actors. Finally, this chapter argues that ANT’s socio-technical lens provides a richer understanding of the meaning of Internet-based self-service technology within a multi-channel context.


Author(s):  
Rennie Naidoo

Despite the rampant growth in technology-based service delivery options, the implementation of these contemporary forms of service channels continues to be risky and problematic for organisations. Current conceptualisations of IS implementation is rather narrow and highlights only particular aspects of this phenomenon. This paper adopts a socio-technical lens to enhance our understanding of the implementation of an Internet-based self-service technology (ISST) at a major South African healthcare insurance firm. Actor-Network theory’s (ANT) key conceptual elements of inscription and translation are used to describe how the design and use of this self-service technology emerged from the co-entanglement between the technological and social. Drawing from a field study, this paper demonstrates the complex interdependencies and interactions among contrasting social, political, economic and technological issues and therefore advances implementation theory for these contemporary service channels in yet another important way.


Author(s):  
Rennie Naidoo

Healthcare insurance firms are experimenting with integrating self-managed healthcare elements into their product and service design and making these available through transnational healthcare information systems (THISs). The purpose of this article is to analyze this technology using a socio-technical theoretical lens. Drawing from a longitudinal case study, this paper unravels some of the design controversies presented by a self-managed nutrition technology, designed by a South African healthcare insurance firm for the local and UK market. Using key concepts (inscription, translation, enrollment, delegation, and displacement) from actor-network theory, this paper reveals why, in this context, the traditional face-to-face dietetic practice could not be completely entrusted to a THIS. The results demonstrate that firms are sometimes better off resorting to traditional channels for complex and high contact healthcare interventions. Practitioners need to be aware of potentially ‘tricky' socio-technical entanglements when designing a novel THIS and future researchers must account for the increasing complexity involved in operating these technologies in different national healthcare contexts. Guidelines are offered for firms contemplating off-shoring self-managed healthcare technology developments.


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