The seeds of ethnic or tribalistic manifestations in Limpopo: The case of Makhado, Vuwani and Malamulele

2021 ◽  
Vol 77 (2) ◽  
Author(s):  
Ndwamato G. Mugovhani

This research article argued that the current conflicts between Vhavenda and Vatsonga, two decades and four years later after the first democratic elections for a new South Africa in 1994, are manifestations of the seeds that were sown by the Voortrekkers since their arrival around the Soutpansberg in the northern parts of South Africa in 1836. Makhado (Louis Trichardt), Vuwani and Malamulele have been embroiled in continuous arguments and counterarguments, advocacies and counter advocacies, including protests, and in some instances, destruction of the essential property. Before then, Vhavenda and Vatsonga used to live alongside each other and even together. In their traditional village settings, there was no discrimination based on language or ethnicity. Through review of early scholarly writings, oral resources garnered from elders and the author’s personal experience, a few episodes were highlighted, and the ramifications thereof were discussed.Contribution: This study also postulated that although the promotion of the tribes’ uniqueness was culturally significant, social cohesion and multiculturalism could have been sustained without institutionalising the segregation laws and demarcations, for these decisions have come back to haunt the present democratic South Africa’s ideals of nation building and social cohesion.

Author(s):  
Bongani C Ndhlovu

This chapter analyses the influence of the state in shaping museum narratives, especially in a liberated society such as South Africa. It argues that while the notion of social cohesion and nation building is an ideal that many South African museums should strive for, the technocratisation of museum processes has to a degree led to a disregard of the public sphere as a space of open engagement. Secondly, the chapter also looks at the net-effect of museums professionals and boards in the development of their narrative. It argues that due to the nature of their expertise and interests, and the focus on their areas of specialisation, museums may hardly claim to be representative of the many voices they ought to represent. As such, the chapter explores contestations in museum spaces. It partly does so by exploring the notion “free-spokenness” and its limits in museum spaces. To amplify its argument, the chapter uses some exhibitions that generated critical engagements from Iziko Museums of South Africa.


2001 ◽  
Vol 10 (1) ◽  
pp. 83-91 ◽  
Author(s):  
Neville Alexander

2015 ◽  
Vol 57 (1) ◽  
pp. 4-36
Author(s):  
Lisa Biggs

Women have been largely invisible in crime discourse in South Africa; they have never been conceived of as either the primary authors or objects of the law. Yet according to the Republic of South Africa Department of Correctional Services (DCS), they are one of the fastest-growing segments of the prison population today. In the eight years following democratic elections in 1994, DCS reports that the number of women behind bars grew by over 31 percent. From 2008 to 2012 alone, the women's prison population rose by 10 percent while the number of men behind bars declined. These increases are not fully attributable to an escalation in women's illicit behavior. Instead, shifts in policing and sentencing policies now mandate longer sentences for crimes for which women are most likely to be convicted—both aggressive and non-violent, often poverty-related, offenses such as theft (shoplifting, robbery, burglary, carjacking, fraud, embezzlement), narcotics (trafficking, sale, distribution), and sex work.


2019 ◽  
Vol 1 (1) ◽  
pp. 59-73
Author(s):  
Christabel Aba Sam

Critical works on Coetzee’s Disgrace shows that the novel constructs a distressing picture of the conditions in post-apartheid South Africa –tabling his attempts at blurring national enthusiasm, creating racial stereotypes and consequently damaging the hopes of the new South Africa.  However, a re-reading of the novel reveals that the survival of post-apartheid South Africa reside in the potential of a willing unity of racial bodies and a careful re-definition of masculinity vis-à-vis spatial re-configurations. Drawing on the concept of futurity and Frantz Fanon’s idea of the new man, this paper argues that the correlation between forms of community and forms of masculinity provide basis for re-configuring social cohesion in post-apartheid South Africa.


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