Hip-Hop and Other Spoken Messages in the Music of the African Diaspora

Author(s):  
Jon A. Yasin
Keyword(s):  
2019 ◽  
Vol 11 (1-2) ◽  
pp. 87-100 ◽  
Author(s):  
Luce Beeckmans

Abstract In this article I introduce the concept of ‘mobile worlding’ in relation to African diaspora’s urban world-making practices. Conceptualising ‘mobile worlding’ is an endeavour in bringing the trans-urban circulation and interconnectedness of migrants’ urban world-making practices to the fore. ‘Mobile worlding’ has the potential to enhance our understanding, not only of (the interconnectedness of) migrants’ contributions to contemporary city-making, but also of the contemporary diasporic experience, i.e. as something which is highly mobile as African diaspora both online and offline incessantly move in polycentric urban networks along which also their urban world-making practices circulate in multidirectional ways. I illustrate this by highlighting my own empirical research on African diaspora’s religious place-making in European cities, as well as by foregrounding other scholarship in which instances of diasporic ‘mobile worlding’ are brought to the fore, for instance through hip hop and fashion, but without being conceptualised as such.


Author(s):  
Cindy García

This chapter puts race in a transnational context in the Americas, expanding their framework to the context of dance, music, and performance. It addresses the ways that two Latina-originated dance companies in Los Angeles stage coalition from the placeless realm of the undercommons. Ana Maria Alvarez's CONTRA-TIEMPO Urban Latin Dance Theater and Miss Funk Jackie Lopez's hip-hop and house-based Versa-Style theorize the complex dance and musical migrations that underscore their experiences and visions of latinidad in coalition. Both companies have a foundational connection to dances of the African diaspora. Using choreographic analysis of dance and performance studies as well as interviews with the choreographers, the chapter examines the coalitional dimensions of their works. At the heart of this work is the question “In this contemporary moment of Black Lives Matter, how do these Los Angeles-based companies cultivate alternatives to racialized violence”?


Popular Music ◽  
2003 ◽  
Vol 22 (2) ◽  
pp. 241-245
Author(s):  
Inez H. Templeton
Keyword(s):  
Hip Hop ◽  

2009 ◽  
Author(s):  
Debangshu Roychoudhury ◽  
Aaron B. Ross

Author(s):  
Tammy L. Anderson ◽  
Philip R. Kavanaugh ◽  
Ronet Bachman ◽  
Lana D. Harrison

2015 ◽  
Author(s):  
Katie Rose Hejtmanek
Keyword(s):  

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