Instrumental Color Difference Measurements for Colorfastness of Automotive Interior Trim Materials

2021 ◽  
Author(s):  
2001 ◽  
Vol 7 (5) ◽  
pp. 439-444 ◽  
Author(s):  
J. A. Martínez ◽  
M. Melgosa ◽  
M. M. Pérez ◽  
E. Hita ◽  
A. I. Negueruela

The color of 15 red wines from several wineries within the renowned wine-producing region Rioja (Northern Spain) was measured by spectrophotometric and spectroradiometric techniques and was visually assessed in a pair-comparison experiment by a panel of 10 experienced observers having normal color vision. Correlation between instrumental color measurements made by spectrophotometric and spectroradiometric techniques was very low, as expected from major differences in the experimental conditions employed (different illumination, path lengths and glass effects). Spectroradiometric measurements at the center of the wine sampler and at positions displaced 1 cm in the horizontal and vertical directions were quite different, mainly because of an increase of the lightness L*, the average color differences between them being high (3.5 and 2.6 CIELAB units, respectively). A 50% acceptance percentage resulted for a color difference of 2.8 CIELAB units, using a reference anchor-pair of wine samples with 4.0 CIELAB units. Thus, a value around 3.0 CIELAB units should be considered a preliminary estimate of the acceptable tolerance by the human eye for red wines poured in standard wine samplers.


2021 ◽  
Vol 2021 (29) ◽  
pp. 374-380
Author(s):  
Che Shen ◽  
Mark D. Fairchild

Color inconstancy refers to significant changes in the perceived color of an object across two or more different lighting conditions, such as daylight and incandescent light. This research focusses on defining the threshold of color inconstancy between generated D65 and A illumination through a psychophysical experiment. Although modern color appearance models provide equations to calculate the degree of adaptation, a neutral grey match experiment was completed to produce a more accurate D values for the experimental viewing conditions. Like setting an instrumental color tolerance experiment, a second, sorting, experiment was used to define the threshold of color inconstancy. This threshold is the color shift, expressed in color difference terms, required for observers to notice a color change across changes in illumination. In addition, the tolerance ellipsoid for each Munsell principal hue group was also established.


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