On the Representation of Presence: The Narrative of Devna¯ra¯yan· as a Multimedia Performance

2012 ◽  
pp. 381-397
Keyword(s):  
Multimedia Performance

Tools for Presenting Multimedia Performance Documentation Using 3D Visualisations

2019 ◽  
Vol 2019 (1) ◽  
pp. 51-56 ◽  
Author(s):  
Roman Berka ◽  
Bohuŝ Získal ◽  
Trávníček
Keyword(s):  
Multimedia Performance

K-pop Live: Fans, Idols, and Multimedia Performance

2018 ◽  
Vol 21 (3) ◽  
pp. 793-794
Author(s):  
Jing Xian Yang
Keyword(s):  
Multimedia Performance

The Multimedia Bard: Plugged and Unplugged

1998 ◽  
Vol 14 (53) ◽  
pp. 20-42 ◽  
Author(s):  
Lizbeth Goodman ◽  
Tony Coe ◽  
Huw Williams
Keyword(s):  
New Technologies ◽  
Interactive Media ◽  
Open University ◽  
Live Performance ◽  
Research Project ◽  
Moving Image ◽  
Multimedia Technologies ◽  
And Performance ◽  
Multimedia Performance ◽  
The Relationship

The relationship between live theatre and the rapidly developing multimedia technologies has been ambiguous and uneasy, both in the practical and the academic arena. Many have argued that such technologies put the theatre and other live arts at risk, while others have seen them as a means of preserving the elusive traces of live performance, making current work accessible to future generations of artists and scholars. A few performance and production teams have entered the fray, deliberately pushing the technology to its limits to see how useful it may (or may not) be in dealing with the theatre. One such team – comprising Lizbeth Goodman, Tony Coe, and Huw Williams – forms the Open University BBC's Multimedia Shakespeare Research Project, and on 4 September 1997 they presented their work as the annual BFI Lecture at the Museum of the Moving Image on London's South Bank. What follows is an edited and updated transcript of the lecture – which was itself a ‘multimedia performance’ – intended to spark debate about the possibilities and limitations of using multimedia in creating and preserving ‘live’ theatre. Lizbeth Goodman is Lecturer in Literature at the Open University, where she chairs both the Shakespeare Multimedia Research Project and the new ‘Shakespeare: Text and Performance’ course. Tony Coe is Senior Producer at the OU/BBC, where Huw Williams was formerly attached to the Interactive Media Centre, before becoming Director of Createc for the National Film School, and subsequently Director of Broadcast Solutions, London. Together the team has created a range of multimedia CD-ROMs designed to test the limits and possibilities of new technologies for theatre and other live art forms – beginning with Shakespeare

K-pop Live: Fans, Idols, and Multimedia Performance by Suk-Young Kim

2020 ◽  
Vol 44 (1) ◽  
pp. 152-154
Author(s):  
Kyung Hyun Kim
Keyword(s):  
Multimedia Performance

Dance + Virtual = Multimedia Performance

2012 ◽  
pp. 105-126
Author(s):  
Rosemary Klich ◽  
Edward Scheer
Keyword(s):  
Multimedia Performance

scholarly journals Software support for interactive multimedia performance

Interface ◽  
1993 ◽  
Vol 22 (3) ◽  
pp. 213-228 ◽  
Author(s):  
Roger B. Dannenberg
Keyword(s):  
Interactive Multimedia ◽  
Software Support ◽  
Multimedia Performance
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