The local cultures of contract farming: The export of fresh asparagus from the Philippines to Japan*

2005 ◽  
pp. 141-154
Author(s):  
Melissa P. Loquias ◽  
Larry N. Digal ◽  
Shemaiah Gail Placencia ◽  
Ivi Jaquelyn T. Astronomo ◽  
Marvin Louie G. Orbeta ◽  
...  

Author(s):  
John T. Sidel

This book provides an alternate vantage point for understanding the variegated forms and trajectories of revolution across the Philippines, Indonesia, and Việtnam, a perspective that is de-nationalized, internationalized, and transnationalized. The book positions this new vantage point against the conventional framing of revolutions in modern Southeast Asian history in terms of a nationalist template, on the one hand, and distinctive local cultures and forms of consciousness, on the other. The book's comparative analysis shows how — in very different, decisive, and often surprising ways — the Philippine, Indonesian, and Việtnamese revolutions were informed, enabled, and impelled by diverse cosmopolitan connections and international conjunctures. It addresses the role of Freemasonry in the making of the Philippine revolution, the importance of Communism and Islam in Indonesia's Revolusi, and the influence that shifting political currents in China and anticolonial movements in Africa had on Việtnamese revolutionaries. Through this assessment, the book tracks how these forces, rather than nationalism per se, shaped the forms of these revolutions, the ways in which they unfolded, and the legacies which they left in their wakes.


2021 ◽  
Vol 7 ◽  
pp. 37-54
Author(s):  
Li Jia [李嘉]

This paper focuses on the process of genre formation in the evolution of popular music of the Philippines’. From the phenomenon of the perception discrepancy of popular music genres among different stakeholders, this paper gives to attention at providing an alternative theory to explore how the Philippines’ popular music genres have been established. Applying Joe Peter’s theory of cultural hybridism, this paper specifically attempts at exploring how foreign genres have been fused with local cultures and musical components, aiming at a vocality of expressing the Philippines’ national identity, which is key in articulating Philippines’ popular music genres in their actual sense. Rather than a parodic emulation of foreign music products, genre fluidity is a unique reflection of the artistic wisdom of Philippines’ musicians in the pursuit of forming a voice of their own, a continuation of their nationalist movement in their popular music idioms.


2002 ◽  
Vol 17 (S2) ◽  
pp. S27
Author(s):  
Teodoro Javier Herbosa

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