They Came Before and After Olivia: Cats, Black Ladies and Political Blackness in Eighteenth-Century British Literature and Austen

2021 ◽  
pp. 259-273
Author(s):  
Lyndon J. Dominique
Keyword(s):  
Eighteenth Century ◽  
British Literature ◽  
Before And After

Labor Productivity and Managerial Efficiency against a Static Technology: The Pennsylvania Iron Industry, 1750–1800

1980 ◽  
Vol 40 (1) ◽  
pp. 129-136 ◽  
Author(s):  
Paul F. Paskoff
Keyword(s):  
Eighteenth Century ◽  
Fuel Consumption ◽  
Labor Productivity ◽  
Learning By Doing ◽  
Iron Industry ◽  
Managerial Efficiency ◽  
Before And After ◽  
Consumption Rates ◽  
The Face

An increase in labor productivity and a reduction of fuel consumption rates were two notable and closely related achievements of the management of Hopewell Forge, an ironworks in eighteenth-century Pennsylvania. Significantly, these economies were realized in the face of technological stasis through learning by doing. The analysis of this accomplishment is cast in the larger context of the performance of the iron industry before and after 1800.

scholarly journals Japan’s Civil Registration Systems Before and After the Meiji Restoration

2012 ◽  
Author(s):  
Osamu Saito ◽  
Masahiro Sato
Keyword(s):  
Eighteenth Century ◽  
Local Level ◽  
Land Registration ◽  
Local Practice ◽  
Civil Registration ◽  
Meiji Restoration ◽  
Before And After ◽  
State And Local ◽  
Village Woman ◽  
Continuity And Discontinuity

This chapter traces the evolution of Japan's systems of household and land registration from c.1600 to the period of early Meiji reforms in the 1870s and 1880s, with due attention to the distinction between a system designed by the state and local forms of registration practice. In the section on the pre-Meiji period, one such local practice of having people ‘disowned’ and its consequence — registerlessness — is examined. The section on the Meiji reforms and the section that follows turn to the issue of continuity and discontinuity, and the question of whether any progress was made by those reforms. In order to illustrate the actual changes that took place at the local level, the chapter begins with an eighteenth-century story about a peasant woman and ends with a case of a family dispute that another village woman brought before the court some 120 years later.

scholarly journals "Gardez-vous-en bien ... de la brochure"

1970 ◽  
Vol 69 ◽  
pp. 233-248
Author(s):  
Michiel Van Dam
Keyword(s):  
Eighteenth Century ◽  
Political Culture ◽  
Source Material ◽  
Historical Research ◽  
Current Understanding ◽  
Ancien Regime ◽  
Political Language ◽  
Before And After ◽  
Ancien Régime ◽  
Social Upheaval

At the end of the eighteenth century, the Austrian Netherlands were plagued by politicalturmoil and social upheaval, brought forth by a reaction against the reformatory movementset up by the Habsburg government. The contestation of Joseph II's reformist policywas performed in public, as the region was flooded with polemical pamphlets, ideologicaltreatises and many other types of popular writings during (but also before and after) theperiod of the Brabant Revolution (1787-1789). Pamphlets have stood at the centre ofattention for historiography on Belgian political culture at the end of the ancien régime,yet this wide employment of the source material has not led to a comparative overview ofthe way these writings have been used in historical research. This article will attempt tofill this gap, by first providing a methodological typology of several historiographicaluses of a particular pamphlet, the Manifeste du Peuple Brabançon, written at the end of1789, and signed by the leader of the conservative opposition, Hendrik Van der Noot.Secondly, I will attempt to show how eighteenth-century pamphleteers used a multitudeof discourses at their disposal, by briefly discussing another set of (pre-revolutionary)pamphlets. This has immediate consequences for the current understanding of eighteenth-centuryBrabant political culture, which, so I argue, should not be considered discursivelymonolithic (containing one political language) but pluralist (containing multiple politicallanguages).

The Luso-Brazilian Enlightenment: Between Reform and Revolution

2015 ◽  
Author(s):  
Alice Soares Guimarães
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
The Political ◽  
Roman Catholicism ◽  
Absolute Power ◽  
Portuguese Empire ◽  
Political Debates ◽  
The Enlightenment ◽  
Before And After ◽  
Political Form

This chapter examines transformations of state–society relations in eighteenth-century Portugal in relation to Enlightened political debates of the time. It also explores how these transformations shaped the relations between Portugal and Brazil in the nineteenth century, the debate about the political form of independent Brazil, and the intra-Brazilian struggles over this form before and after independence. More importantly, it challenges the notion that the Enlightenment was absent from the Portuguese Empire as a result of the rejection of modern ideas by conservative world views and projects. It argues that there was a Luso-Brazilian Enlightenment that was plural and eclectic, supporting both critiques and defences of the absolute power of the king, endorsing simultaneously a secularisation process, the promotion of reason and Roman Catholicism, and fostering not only revolutionary projects but also conservative state reforms.

Two into Three Won't Go? Poetic Structure and Musical Forms in Mozart's Idomeneo

2012 ◽  
Vol 24 (3) ◽  
pp. 229-248
Author(s):  
Tim Carter
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Poetic Structure ◽  
Ternary Form ◽  
Before And After ◽  
Rational Inquiry ◽  
Musical Forms

AbstractBy the last quarter of the eighteenth century, the typical Metastasian two-stanza aria text could be set to music in one of two ways: in the ternary form typical of the earlier da capo aria (stanzas 1–2–1) or in a binary one (stanzas 1–2–1–2). Why did Mozart choose one form over the other in Idomeneo (1781); what does this tell us about the role of his librettist, Giovanni Battista Varesco, both before and after the composer left Salzburg for Munich to finish composing the opera and to prepare its performance; and how might these issues enable some rational inquiry into questions of music and drama?

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