Explosions of ‘creative indifference’. Salomo Friedlaender, Sun Ra, serendipity and the idea of a ‘heliocentre’

Author(s):  
Alice Lagaay ◽  
Hartmut Geerken
Keyword(s):  
Sun Ra ◽  
Author(s):  
Erik Steinskog

A musical imagining of the future and an exposition of a challenge to the normative historical discourse are the subjects of Erik Steinskog’s chapter on Afrofuturism. These topics are dealt with through a discussion of “blackness” and a theoretical discourse that addresses the musical style and polemical and political stance of afrofuturist musicians such as Sun Ra and others following in his path. Steinskog suggests that afrofuturist music is a form of sonic time travel that intertwines the modalities of time represented by notions of past, present, and future, his argument being that reimaginations, reinterpretations, and revisions of a normative past are represented in the technology and music of the black future.


Microgroove ◽  
2015 ◽  
pp. 153-161
Keyword(s):  

POP ◽  
2017 ◽  
Vol 6 (2) ◽  
pp. 104-123
Author(s):  
Diedrich Diederichsen
Keyword(s):  

2015 ◽  
Vol 1 (1) ◽  
pp. 65 ◽  
Author(s):  
Alice Lagaay

The concept of "Creative Indifference" put forward by Salomo Friedlaender in his 1918 magnum opus, Schöpferische Indifferenz, provides much food for thought from a Performance Philosophy perspective. Friedlaender's work, which has been largely overlooked by academic philosophers until now, was in fact hugely influential in expressionist Dada circles at the time of its publication. It also contributed to shaping Gestalt Therapy theories and practice, thereby relating to a number of bodywork movements that continue to inform performance practice and Performance Philosophy alike. In this short text, Alice Lagaay begins to explore the manner in which Friedlaender/Mynona can be seen as a Performance Philosopher “avant la lettre”, and how the notion of "Creative Indifference” might be fruitful in the ongoing "Mind-the-Gap”- debate relating to the relation between “Performance" and "Philosophy".


Author(s):  
Tim Stüttgen

The film Space Is the Place (1974), directed by John Coney, stars Sun Ra who was also co-author of the script. This chapter explores Sun Ra’s Afrofuturism as shown in the film, bringing it into relation with José Muñoz’s notion of a queer future. Rather than focusing on Sun Ra’s sexuality, this chapter argues that his quareness (E. Patrick Johnson’s useful term drawn from African American vernacular) emerges in the sonic and performative aspects of his work. Sun Ra’s spaceship offers a future-oriented response to the slave ship and Middle Passage (as described by Paul Gilroy) and to the limitations of the here and now. The notion of assemblage (Gilles Deleuze and Felix Guattari) articulates the quareness of Sun Ra’s collective improvisational practices.


Ploughshares ◽  
2017 ◽  
Vol 43 (3) ◽  
pp. 1-27
Author(s):  
Michael Lowenthal
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document