Animal Sacrifice

Author(s):  
Thomas Gibson
Keyword(s):  
2020 ◽  
Vol 2 (3) ◽  
pp. 8-28
Author(s):  
Susan Milbrath

Analysis of the iconography in a directional almanac on Codex Borgia pages 49–52 invites comparison with almanacs in a related set of divinatory manuscripts known as the Borgia Group, but one aspect of the Codex Borgia almanac remains unique. It records real-time dates employing the central Mexican system of year dates that help identify the images as year-end rituals. These fifteenth-century dates correlate with the last twenty-day “month” in the year, known as Izcalli in the Valley of Mexico and neighboring Tlaxcala. Izcalli rituals in February involved drilling a new fire, the erection of sacred trees, and animal sacrifice, all of which appear on Borgia 49–52. During Izcalli, human sacrifice was performed only every fourth year, a pattern like that seen in the Codex Borgia and the Codex Cospi, where death imagery and decapitated humans appear prominently on the fourth year-bearer page, associated with the southern direction. Borgia Group codices also depict trees and birds representing the four cardinal directions. These are most prominent on Codex Fejérváry-Mayer page 1 in a cosmogram representing two different calendar formats, like those seen in the Borgia almanac. The 5 × 52-day format was used to measure the solar year and Venus cycle, and a second set of day signs appears in a 4 × 65-day pattern useful in calculating the fifty-two-year cycle and the Venus cycle. This provides a subtext for understanding the dates represented on Borgia 49–52 and the extension of the almanac on page 53, where the Venus almanac begins.


Author(s):  
Samuel K. Cohn, Jr.

This chapter begins with human and animal sacrifices to appease the gods during pestilence, but shows that such acts were extremely rare and, when they occurred, quickly disappeared or changed form often to animal sacrifice. It investigates the scapegoat in ancient epidemics, showing the concept as far removed from present-day notions. The ancient one was often a volunteer, exemplary of self-sacrifice for the greater good of the community. Instead of being outcasts, foreigners, or despised minorities (for whom we reserve the term today), in antiquity, almost without exception, they were the elites. More emphatically, from literary and historical descriptions of the fifth century BCE to the sixth CE Justinianic Plague, the chapter charts societal reactions to epidemics, finding that they spawned acts of altruism, public holidays, and self-sacrifice. Instead of blaming or inflicting violence on ‘others’, epidemics were forces for unity, healing rifts between classes, factions, and regions at war.


Author(s):  
Gunnel Ekroth

The castration of most male animals seems to have been the rule in ancient Greece when rearing cattle, sheep, goats, and pigs; only very few adult males are needed for breeding purposes and flocks of bulls, rams, billy-goats and boars are difficult to keep, since they are too aggressive. Castrated males yield more and fattier meat, and, in the case of sheep, more wool. Still, sacred laws and sacrificial calendars stipulate the sacrifice of uncastrated victims, and vase-paintings frequently represent bulls, rams and billy-goats in ritual contexts. This paper will discuss the role of uncastrated male animals in Greek cult in the Archaic, Classical and Hellenistic periods, both from a religious and an agricultural perspective. Of particular interest are the relations between the practical, economic reality and the theological perception of sacrifice. These issues will be explored using epigraphical, literary, iconographical and zooarchaeological evidence.


2008 ◽  
Vol 15 (3-4) ◽  
pp. 357-374 ◽  
Author(s):  
Daniel Ullucci

AbstractAnimal sacrifice was one of the most pervasive and socially significant practices of Graeco-Roman religion. Yet, numerous Greek and Latin writers tell of a golden before the advent of sacrifice and meat eating. In this idealized world, humans lived at one with the gods and animal sacrifice did not exist. Such texts are often seen as part of a wider ancient critique of Greco-Roman religion in general and animal sacrifice in particular. This interpretive model, largely sprung from Christian theologizing, sees animal sacrifice as a meaningless and base act, destined to be superseded. As a result of this 'critique model', scholars have not asked what the myth of a world without sacrifice means in a world in which sacrifice predominated. This paper seeks to correct the above view by analyzing these texts as instances of created myth. It approaches each occurrence of the myth as an instance of position-taking by a player in the field of cultural production. The paper seeks to further a redescription of Greco-Roman antiquity by revealing the variety of ancient positions on sacrifice and their strategic use by competing cultural producers.


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