interpretive model
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Author(s):  
Lyudmyla Tanska

Visual turn as an interpretive model of stage synthesis of arts in the culture of the XX–XXI century Purpose of the Article. The research is related to the definition of visual and virtual dimensions of the interpretation of fashion activity as a certain communicative scene. The research methodology is to apply a retrospective analysis of visual patterns in the stage space of everyday culture. The scientific novelty of the work is that the scene is perceived by the recipient as an optical phenomenon, has a wide space in which the actor of action or event performs certain communicative acts verbally and optically. The components of this synthesis plastically, gesturally, verbally-dramatically and optically-visually present a whole selection of arts that form a stage synthesis. Drama is verbalized as a plastic behavior, where the action, movements determine the high space of mise-en-scène of the tank, which testifies to both the expressive arts known since ancient Greek chorea and the visual-optical patterns. Thus, in the context of visual rotation, ocular centrism is actualized - trust in the picture. Conclusions. It should be noted that there is an artistic critique of the media, producers, galleries, magazines, that is, a space of unification and adequate representation of various art phenomena is formed. It is not the artists themselves, the actors of the big stage, the producers of the great culture of everyday life who live a full life, but those who create art events, local scenes of the presentation. Visual research tends to eclecticism, which turns into a polymorphic set of discourses, which indicates that you need to find a comfort zone, certain attractions of everyday culture. Without them, the realization of a modern art product is no longer possible. Advertising management, imageology are presented in society as an indirect reality, similar to virtual technology. Imagination as a video presentation becomes a problem of interpretation, a problem of vision. Visual culture tries to rehabilitate the image and determine its meaning without a name, without a name. Such a culture without a name leads to the fact that researchers are beginning to determine only what has a name. Art history describes the relationships between objects, chronological order, movement, formal preferences, and iconographic data. Needless to say, the work of art in this case remains an individual creation, a special source of life, and a social text. The culture of everyday life in the context of visual rotation is simultaneously a text, an image, a stage artifact, a pattern, and a flash image. Key words: culture, culture of everyday life, stage synthesis of culture of everyday life, image, visual turn.


2021 ◽  
Vol 84 (2) ◽  
pp. 102-121
Author(s):  
Marina Guseltseva

Pages history Soviet psychology often contain gaps, which are due to incomplete or inaccessible sources as well as to ideological distortions реrception and interpretation events epoch totalitarianism. Historical-psychological reconstructions, inspired these days archival and revisionist turns, as well as methodology latent change, offer other interpretative models, on one hand, overcoming established mythologems, and on other, revealing а complex, contradictory and ambiguous picture development socio-humanitarian knowledge first half 20th сеntury. Under influence globalization and transnational research projects, contemporary Russian historiography in one way or another updates its methodological tools, turns to polyparadigmatics and transdisciplinarity, and shifts from linear interpretative schemes to constructions that include marginal and non-obvious narratives and discourses along with canonical ones. In light new interpretive model, which takes into асcount historio-graphical materials related sciences as well as hidden currents Soviet culture, three methodological milestones are singled for analysis in S.L. Rubinstein’s intellectual biography: neo-Kantian, Marxist, and anthropological (existential) реriods scientific work. It is emphasized that Soviet historiography left almost no doubts concerning Marxist foundations S.L. Rubinstein’s subjectivе-асtivity арproach, but other models interpretation not only immerse Russian psychology in context epistemological twists and turns in socio-humanitarian knowledge 20th сеntury, but also problematize established ideas and call them into question. Among such problematizations is а comprehension neo-Kantian and Marxist premises S.L. Rubinstein’s doctrine. It is stated that principle creative асtivity, notion self-development and individuation subject, problem ethics and values as internal guidelines human development represent latent neo-Kantianism in intellectual biography scientist.


Death Studies ◽  
2021 ◽  
pp. 1-13
Author(s):  
Philippe Laperle ◽  
Marie Achille ◽  
Deborah Ummel
Keyword(s):  

Dialog ◽  
2021 ◽  
Vol 44 (1) ◽  
pp. 67-74
Author(s):  
Daido Tri Sampurna Lumbanraja

Building religious harmony is the duty and responsibility of all Indonesian people. Church is an essential part of Indonesian society which is also obliged to develop religious harmony. Answering the question of how the church should behave and act in a pluralistic society is to offer the teaching concept of the mindset of Christ. As it is contained in Philippians 2: 5, the church has to serve as the foundation of religious harmony. The mindset of Christ in question is the act of Christ who does not defend his rights, the act of Christ who willingly becomes the same as an ordinary man and the act of Christ who takes the form of a slave and acts like a slave who cares for the interests of his master. This study utilizes technical data analysis with a descriptive-interpretive model, which is to elaborate the focus of the study by parsing and re-interpreting it in a certain context. In this case the text described is Philippians 2: 5 using the hermeneutic method as a scalpel and then interpreted in the context of religious harmony in Indonesia. Membangun kerukunan umat beragama merupakan tugas dan tanggungjawab seluruh rakyat Indonesia. Gereja merupakan salah satu bagian dari masyarakat Indonesia yang juga berkewajiban untuk berkontribusi mewujudkan kerukunan umat beragama. Menjawab pertanyaan bagaimana gereja harus bersikap dan bertindak di tengah lingkup masyarakat yang majemuk adalah dengan menawarkan konsep pengajaran mengenai mindset Kristus yang terkandung dalam surat Filipi 2:5 untuk dijadikan sebagai landasan gereja membangun kerukunan umat beragama. Mindset Kristus yang dimaksud adalah tindakan Kristus yang tidak mempertahankan haknya, tindakan Kristus yang dengan rela menjadi sama dengan manusia dan tindakan Kristus yang mengambil rupa hamba dan berlaku seperti hamba yang mementingkan kepentingan tuannya. Penelitian ini menggunakan teknis analisis data dengan model deskripitf-interpretatif yaitu mengelaborasi fokus penelitian dengan cara mengurai dan memaknai kembali pada konteks tertentu. Dalam hal ini teks yang diurai adalah surat Filipi 2:5 menggunakan metode hermeneutik sebagai pisau bedah lalu dimaknai pada konteks kerukunan umat beragama di Indonesia.


2021 ◽  
Author(s):  
Guoliang Xu ◽  
Rui Ding ◽  
Fang Ding ◽  
Xiahua Chen ◽  
Xinyuan Qian ◽  
...  

2021 ◽  
Vol 8 (2) ◽  
pp. 172-187
Author(s):  
C. Libby

Abstract This article investigates how twentieth-century historians' reliance on pathologizing discourses about transvestism produced the distorted historical account of the premodern “transvestite saint.” The essay begins with a critical historiography aimed at unraveling the intertwined writings of historians and sexologists. European sexological writing on Christian saints rendered them little more than pathologized subjects stripped of their religious context, and historical narratives that drew on pathologizing sexological paradigms frequently interpreted these religious figures as premodern examples of transhistorical sex-gender transgression. After examining the development of the interpretive model of the transvestite saint and its dependence on tropes of disguise and deception, the author argues that this framework should be abandoned. Considering the limitation of this interpretation, the essay proposes a more capacious historical method termed the apophasis of transgender.


Author(s):  
Carina S González-González ◽  
Vicente Navarro-Adelantado

Gamification faces an epistemological problem of game transversality presenting limits from the playfulness. However, describing these limits is difficult if there is no interpretive model that explain the transition between the game and the gamification. This work proposes a systemic game–gamification model to understand the phenomenon of the gamification procedure. This structural-functionalist and systemic model can respond to different fields interested in gamification under the same elements and assume to serve as an interpretation only for this phenomenon’s social reality from the complexity. Some risks of gamification are highlighted, such as isolating and considering only some elements that do not even belong to the game, as is frequently the case with the competition system, an issue that, in analogy with game-sport, becomes sportification.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Vishal Pradhan ◽  
Sonali Bhattacharya

Purpose Researchers have studied processes of improving road traffic-safety culture by explicitly evaluating the socio-psychological phenomenon of traffic-risk. The implicit traffic-system cues play an important role in explaining urban traffic-culture. This paper aims to ascertain an interpretive framework of the alternative processes of road traffic safety culture is antecedent to promote traffic-safety behaviour in Indian urban context. Subsequently, the authors discussed the reasons for those relationships exists. Design/methodology/approach Four experts of the urban traffic-safety domain participated in total interpretive structural modelling (TISM) study by completing an interpretive consensus-driven questionnaire. The drafted interpretive model was evaluated for road users proactive action orientation about the traffic-safety decision. Findings The evolved directed graph (digraph) of the culture of urban traffic-safety management was a serial three-mediator model. The model argued: In the presence of traffic-risk cues, people may become apprised to safety goals that initiate traffic-safety action. Consequently, expectancy-value evaluation motivates the continuation of traffic-safety intention that may lead to the implementation of adaptation plan (volitional control), thus habituating road users to traffic-safety management choice. Practical implications The modellers of traffic psychology may empirically estimate and test for the quality criteria to ascertain the applicability of the proposed mechanism of urban traffic-safety culture. The decision-makers should note the importance of arousal of emotions regarding traffic-risk, reduce the impact of maladaptive motivations and recursively improve control over safety actions for promoting safety interventions. Originality/value The authors attempted to induce an interpretive model of urban traffic-safety culture that might augment extant discussion regarding how and why people behave in an urban traffic system.


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