Intellectual Property Rights and ASEAN Development in the Digital Age

2021 ◽  
Author(s):  
Lurong Chen ◽  
Fukunari Kimura
Author(s):  
Benjamin Enahoro Assay

This chapter examines the media, intellectual property rights and the protection of Africa's traditional knowledge in the digital age. It reviews literature on intellectual property, intellectual property rights, the various forms of intellectual property rights and the misappropriation and infringement on intellectual property rights, traditional knowledge, and media in digital age. The chapter provides perspectives on the issues and controversies on the non-protection of traditional knowledge within the existing frameworks of IP system and rules. It points out that the products of Africa's traditional knowledge are in dire need of protection against global competitors and therefore urges African governments to take advantage of the IP rules to negotiate with industrialized countries for the protection of their products. The chapter called for the enactment of tougher legislations to halt the menace of counterfeiting and digital piracy and deliberate use of the media to promote the products. It also made some recommendations that would help Africa defend its IP.


Author(s):  
Kijpokin Kasemsap

This chapter reveals the overview of intellectual property (IP), the perspectives on intellectual property rights (IPRs), the importance of IP in global business, and the importance of IPRs in global business. IP is an asset category involving four distinct types (i.e., copyrights, trademarks, patents, and trade secrets). Many industries rely on the adequate enforcement of their copyrights, trademarks, and patents, while consumers utilize IP to ensure they are purchasing the guaranteed products. IPRs promote the confidence and ease of mind that consumers demand and markets rely on. Enforced IPRs ensure products are authentic, and of the high quality that consumers recognize and expect. The chapter argues that IP stimulates innovation and economic growth, as it helps bring in monetary returns, build brand visibility, and enhance business success in the digital age.


2020 ◽  
pp. 424-447
Author(s):  
Benjamin Enahoro Assay

This chapter examines the media, intellectual property rights and the protection of Africa's traditional knowledge in the digital age. It reviews literature on intellectual property, intellectual property rights, the various forms of intellectual property rights and the misappropriation and infringement on intellectual property rights, traditional knowledge, and media in digital age. The chapter provides perspectives on the issues and controversies on the non-protection of traditional knowledge within the existing frameworks of IP system and rules. It points out that the products of Africa's traditional knowledge are in dire need of protection against global competitors and therefore urges African governments to take advantage of the IP rules to negotiate with industrialized countries for the protection of their products. The chapter called for the enactment of tougher legislations to halt the menace of counterfeiting and digital piracy and deliberate use of the media to promote the products. It also made some recommendations that would help Africa defend its IP.


Author(s):  
Stephen Marshall

Copyright has emerged in the 21st century as one of the hot topics reported on regularly by media. Hardly a month goes by without discussion about the impact of the Internet, in particular, on the intellectual property rights of publishers and, by implication, the creators of content that they ostensibly represent. People who make digital copies of various types of media are cast as the new “pirates” of the digital frontier, often with quite extreme rhetoric: No black flags with skull and crossbones, no cutlasses, cannons, or daggers identify today’s pirates. You can’t see them coming; there’s no warning shot across your bow. Yet rest assured the pirates are out there because today there is plenty of gold (and platinum and diamonds) to be had. Today’s pirates operate not on the high seas but on the Internet, in illegal CD factories, distribution centers, and on the street. The pirate’s credo is still the same-why pay for it when it’s so easy to steal? The credo is as wrong as it ever was. Stealing is still illegal, unethical, and all too frequent in today’s digital age. (RIAA, 2003, p.1)


Author(s):  
Stephen Marshall

He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me. (Jefferson, 1813) Copyright has emerged in the 21st century as one of the hot topics reported on regularly by media. Hardly a month goes by without discussion about the impact of the Internet, in particular on the intellectual property rights of publishers and by implication the creators of content that they ostensibly represent. People who make digital copies of various types of media are cast as the new “pirates” of the digital frontier, often with quite extreme rhetoric: No black flags with skull and crossbones, no cutlasses, cannons, or daggers identify today’s pirates. You can’t see them coming; there’s no warning shot across your bow. Yet rest assured the pirates are out there because today there is plenty of gold (and platinum and diamonds) to be had. Today’s pirates operate not on the high seas but on the Internet, in illegal CD factories, distribution centers, and on the street. The pirate’s credo is still the same—why pay for it when it’s so easy to steal? The credo is as wrong as it ever was. Stealing is still illegal, unethical, and all too frequent in today’s digital age. (RIAA, 2003)


Author(s):  
A.P. Ivanova

The review analyzes the problem of the relevance of the intellectual property rights system in the digital age, examines promising models of the transfer of intellectual property rights that respond to today's realities. Special attention is paid to such cultural phenomena as memes, emojis and GIFs, which are considered in the context of unauthorized use of intellectual property and protection of intellectual rights.


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