Shaw, George Bernard (1856–1950)

Author(s):  
Lawrence Switzky

George Bernard Shaw was an Irish playwright, music and drama critic, and political theorist who pioneered the play of ideas as a dramatic genre, was instrumental in the formation of the Labour Party in England, and remains the only person to have won both the Nobel Prize for Literature (1925) and an Academy Award (1938, Best Adapted Screenplay, Pygmalion). The intellectual and social seriousness of his ideas, his effusive, literary dialogue, and his invention of new genres such as the discussion play were pivotal contributions to the modernization of drama. Born into a Protestant family in Dublin, Shaw moved to London in 1876 and began ghost-writing a music column for The Hornet while also pursuing an unpromising career as a novelist and becoming involved with the Fabian Society, a British socialist organization that promoted a gradualist rather than revolutionary approach to social reform. In The Quintessence of Ibsenism, initially delivered to the Fabians as a lecture in 1891, Shaw articulated his nascent dramaturgical principles. He argued that Ibsen’s most important contribution to the development of modern drama was replacing the violent catastrophes of melodrama with discussion scenes in which characters sat down and talked about intractable social problems. Shaw’s views about modern drama were put into practice in his first three plays: Widowers’ Houses (1892), about slum landlordism, The Philanderer (1893), about divorce, and Mrs. Warren’s Profession (1893), about prostitution.

2019 ◽  
Vol 35 (02) ◽  
pp. 112-120 ◽  
Author(s):  
Patricia Lufkin

In this article Patricia Lufkin examines the work of Margaret Macnamara, a remarkable feminist playwright whose work has fallen into obscurity but who deserves attention as an important female participant in the Independent Theatre Movement and the Fabian Society. Macnamara’s associations and collaborations with key figures of the time, including George Bernard Shaw, are explored, and her progressive thought and participation in key organizations demonstrated. Importantly, Lufkin analyzes Macnamara’s play The Gates of the Morning (1908), highlighting its feminist critique of religion and its patriarchal influence. The critical response to her work was mixed, yet both positive and hostile reviews acknowledged that the play was a competent and stirring example of the new drama of progressive ideas, and helped to bring the ‘woman question’ to the forefront of people’s minds. Patricia Lufkin received her PhD from Louisiana State University, and is now teaching at Arkansas State University Mid-South. Her research focuses on early twentieth-century British theatre, most significantly on the life and work of Macnamara and Samuel Beckett.


1997 ◽  
Vol 36 (2) ◽  
pp. 147-177 ◽  
Author(s):  
Andrew S. Thompson

The forthcoming General Election will turn, we are told, mainly on the popularity of Imperialism. If this be so, it is important that voters should make up their minds what Imperialism means.(George Bernard Shaw)Thus wrote George Bernard Shaw on behalf of the Fabian Society in October 1900. Shaw recognized what many historians have subsequently failed to see: the meaning of imperialism inside British politics was not fixed. Rather, the terms “empire” and “imperialism” were like empty boxes that were continuously being filled up and emptied of their meanings. Of course, the same was true of other political concepts: the idea of patriotism, for instance, was constantly being reinvented by politicians. But the idea of empire was all the more vulnerable to this sort of treatment because it was sensitive to changing circumstances at home and abroad and because it had to take account of a colonial as well as a British audience. Furthermore, the fact that opinion in Britain was widely felt to be ignorant or indifferent to the empire meant that politicians had to be particularly careful in deciding what sort of imperial language to use.This article will consider what contemporaries meant when they spoke of empire, how its meaning varied between different political groups in Britain, and whether it is possible to point to a prevailing vision of empire during the period between the launch of the Jameson Raid in December 1895 and the outbreak of the Great War in 1914.


1988 ◽  
Vol 4 (1) ◽  
pp. 57-68 ◽  
Author(s):  
Amartya Sen

In an interesting letter to Anna George, the daughter of Henry George, Bernard Shaw wrote: “Your father found me a literary dilettante and militant rationalist in religion, and a barren rascal at that. By turning my mind to economics he made a man of me” (George, 1979, p. xiii). I am not able to determine what making a man of Bernard Shaw would exactly consist of, but it is clear that the kind of moral and social problems with which Shaw was deeply concerned could not be sensibly pursued without examining their economic aspects. For example, the claims of property rights, which some would defend and some (including Shaw) would dispute, are not just matters of basic moral belief that could not possibly be influenced one way or the other by any empirical arguments. They call for sensitive moral analysis responsive to empirical realities, including economic ones.


1946 ◽  
Vol 6 (1) ◽  
pp. 53-72 ◽  
Author(s):  
William Irvine

In spite of a vast critical literature of increasing agreement, Shaw is stillregarded by many as an irresponsible clown and by many more as a negligible thinker on serious subjects. No one can read about him without realizing that he is anything but negligible. Mr. T. A. Knowlton has thought his economics worthy of lengthy and respectful treatment, and many authorities have attested to his importance in the history of socialism. In her recent work Mrs. Helen M. Lynd says that the Fabian Society developed under the inspiration of Shaw; he “set its early tone.”


Author(s):  
Mirjam Anugerahwati

This article discusses the novel Pygmalionby George Bernard Shaw (1957) which depicts Eliza, a flower girl from East London, who became the subject of an “experiment” by a Professor of Phonetics who vowed to change the way she spoke. The story is an excellent example of a very real and contextual portrait of how language, particularly socio-semantics, play a role in the achievement of communicative competence.


Author(s):  
Priscila Fernanda Furlanetto

As obras de um dos mais conhecidos humoristas brasileiros, Millôr Fernandes, já foram bastante exploradas pelos pesquisadores de uma forma geral. Mesmo assim, há ainda uma vertente desse autor a ser estudada: o Millôr Tradutor.


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