The Natural History of a Research Project: French Canada

2017 ◽  
pp. 530-542
1975 ◽  
Vol 69 (10) ◽  
pp. 461-464
Author(s):  
Dove Toll

The National Museum of Natural History of the Smithsonian Institution undertook a research project to determine what could be done to enable visually handicapped persons to benefit from the museum's resources. Programs currently of interest to the blind were advertised, with maps of touchable objects throughout the museum made available. In addition, books about the Smithsonian have been brailled, cassette tours of individual halls prepared, exhibit designers encouraged to include more touchable objects in their displays, and docents given special training in how to relate to and guide blind persons. Further sources of information appear at the end of this article.


2004 ◽  
Vol 31 (1) ◽  
pp. 150-166 ◽  
Author(s):  
Henry M. Reeves ◽  
FrançOis-Marc Gagnon ◽  
C. Stuart Houston

ABSTRACT: “Codex canadiensis” consists of 79 leaves with 180 illustrations of plants, birds, mammals, fishes, and a few fabulous animals. This manuscript arguably is the most obscure and enigmatic surviving document pertaining to the early natural history of French Canada. It was lost until 1930, when Baron Marc de Villiers first published a facsimile. Two inferior editions later appeared in Canada. The codex was acquired about 1949 by Oklahoma oil baron Thomas Gilcrease and then deposited in the Gilcrease Museum, Tulsa, Oklahoma. Under the direction of one of us (Gagnon), French-Canadian scholars have established the codex's author was Father Louis Nicolas (1634–c. 1678), a Jesuit priest who laboured among tribes along the St Lawrence River and the Great Lakes during 1664–1675. This rejects the previous attribution to Charles Bécard (correctly Bécart), Sieur de Granville. The codex likely was completed in part, if not entirely, after Nicolas' return to France in 1675, and it is closely related to a much larger undated work by Nicolas, “Histoire naturelle des Indes Occidentales”. “Codex canadiensis” is among the most valuable extant manuscripts illustrating the natural history of North America as explored by early European naturalists.


2017 ◽  
Vol 3 (2) ◽  
pp. 1-24 ◽  
Author(s):  
Natasha Myers

In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.


1982 ◽  
Vol 22 (3) ◽  
pp. 196
Author(s):  
A. J. Oulton ◽  
A. J. Wood

1999 ◽  
Vol 2 (4) ◽  
pp. 541-565 ◽  
Author(s):  
Anne Scott ◽  
Lesley Semmens ◽  
Lynette Willoughby

1997 ◽  
Vol 13 (2) ◽  
pp. 3 ◽  
Author(s):  
Pia Christensen ◽  
Jenny Hockey ◽  
Allison James

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