This chapter, following on the last, expands to other case studies of dramatic interpretation and tragical mimesis in patristic exposition of tragic narratives in the Bible beyond Genesis, in Old and New Testaments alike. The horrific story of Jephthah’s fateful vow and the “sacrifice” of his daughter (Judges 11), perhaps the best single example of tragedy in the Hebrew Scriptures, vexed its patristic interpreters by its ostensive moral senselessness and resistance to theological redeemability. The flawed character of other tragic heroes such as Samson and King Saul added to the hermeneutical perplexity, while the story of Job was largely taken as a testament of pious endurance of tragic circumstances. The New Testament meanwhile presented, to its patristic interpreters, the proto-Christian “tragic heroics” of the Holy Innocents and John the Baptist, and the “tragic villainy” of Judas Iscariot and Ananias and Sapphira, each story prompting its own questions about freedom, determinism, and divine justice. Early Christian interpreters consistently put forward and even amplified the elements of tragedy in these stories in order to educate their own audiences in confronting irrevocable evil and suffering.