The Camera Lens

2018 ◽  
pp. 231-253
Author(s):  
Mick Hurbis-Cherrier
Keyword(s):  
Optik ◽  
2021 ◽  
pp. 167895
Author(s):  
Jong-Chol Kang ◽  
Chol-Su Kim ◽  
Il-Jun Pak ◽  
Ju-Ryong Son ◽  
Chol-Sun Kim

Public ◽  
2021 ◽  
Vol 32 (63) ◽  
pp. 118-121
Author(s):  
Na’ama Freeman

A new exhibition at the Canadian Centre for Architecture (Montreal, QC), Eye Camera Window: Takashi Homma on Le Corbusier, investigates the practice of Japanese architectural photographer Takashi Homma (1962) and his exploration of the intrinsic similarities between windows and cameras in the way they mediate an experience, be it in a modernist dwelling or in a photograph recalling a memory. Homma’s photographs focus attention on the ‘eye’, the ‘camera’, and the ‘window’ in the way they shape perspective in intimate form. In a visual interpretation that uses the camera lens as an eye to witness new forms, Homma advances an argument of timelessness, providing intimate architectural perspectives on eternal vistas.


In a previous paper (‘Philosophical Transactions,’ A, 1897, vol. 189, p. 137) we have drawn attention to the fact that the disturbance set up in a liquid by the impact of a rough sphere falling into it, differs in a very remarkable manner from that which follows the entry of a smooth sphere. In the present paper we describe further experiments, made with the object of ascertaining the reason of this difference, and give the conclusions reached. It appeared desirable, in the first place, to take instantaneous photographs of the disturbed liquid below the water-line. These were easily obtained by letting the splash take place in an approximately parallel-sided thin glass vessel (an inverted clock-shade) illuminated from behind. The liquid surface when undisturbed was about level with the middle of the camera-lens, which was focussed for the sphere when under water. The general arrangement of the optical apparatus will be suffi­ciently understood from the accompanying cut (fig. 1). The method of timing the illumination was that already described ( loc. cit. ).


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