The Seventeenth and Eighteenth Centuries: Alessandro Scarlatti (Two Works), Antonio Vivaldi, Thomas Arne, Wolfgang Amadeus Mozart

2014 ◽  
Vol 28 (4) ◽  
pp. 335-348 ◽  
Author(s):  
Piera Bergomi ◽  
Michele Chieppi ◽  
Antonella Maini ◽  
Tiziana Mugnos ◽  
Debora Spotti ◽  
...  

Introduction: The heel-lance (HL) method for blood collection from the newborn is controversial for the pain it causes. This is the first randomized controlled trial on the management and reduction of pain using the music of Wolfgang Amadeus Mozart (“Sonata K. 448”) in premature infants hospitalized in a neonatal intensive care unit (NICU). This study has compared nonpharmacological techniques with standard procedure for reducing pain during HL procedure. Methods: Thirty-five premature infants were enrolled, each for 3 HL procedures, of which each was randomized to 1 of the 3 study arms. Arms were then compared in terms of the Premature Infant Pain Profile (PIPP) changes by analysis of variance (ANOVA). Results: One hundred five HL procedures were available for analysis (35 standard procedure, 35 music, 35 glucose). Median baseline PIPP was 3, and median PIPP after the HL procedure was 5. PIPP scale change was +3 in the control arm, +1 in the glucose arm, +2 in the music arm (p = .008). Discussion: Both glucose and music were safe and effective in limiting pain increase when compared to standard procedure in HL procedures in preterm infants.


1961 ◽  
pp. 299-302
Author(s):  
Bettina Holzapfel ◽  
Heinz Balmer ◽  
Adolf Portmann ◽  
Ernst Bohnenblust

2018 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Christine Simangunsong

This study aims to determine how the structure of music andviolin technique Four Season "Winter" by composer Antonio Vivaldi.In the discussion of this study used the theories related to researchtopics such as Antonio Vivaldi biography, analytical understanding,understanding of musical forms, musical structure and technique ofplaying the violin. The method used by the researchers in this study isdescriptive-qualitative method. The sample in this study such as thesheet music and videos of Four Season "Winter" by composer AntonioVivaldi. The techniques of data collection in this research are workinglaboratory analysis the melody of violin instrument like musicalstructure and technique of playing the violin and literature studyconducted at the Laboratory of the Department of Music Arts, Facultyof Languages and Arts, State University of Medan. From the results ofthis study can be obtained structure of music Four Season "Winter" bycomposer Antonio Vivaldi has 63 bars with 12 motifs includingoriginal motive literal replications and development, up and downsequence, bridges, enlargement of the interval, 10 phrases and is a 3-part song form complex / major played by violin playing techniques asdiverse namely legato, staccato, trill, double stops, and sforzando andusing the dynamic crescendo, mezzo forte, forte, piano, with the righthand position of mixed fingering position of the I-VII. Interpretationof the Four Seasons "Winter" tells the eerie atmosphere transitionalclimate when winter freeze with the sound of the wind through thestrains indicated cruel instrument tones on the violin.


Author(s):  
Laura Elizabeth Espíndola Mata

El ensayo propone un acercamiento a los aspectos escénicos involucrados en la única representación de la ópera Motezuma, con música de Antonio Vivaldi, la cual fue estrenada en el teatro Sant’Angelo de Venecia en 1733. Basándose en archivos históricos inéditos, la autora establece a Girolamo Giusti como el autor del libreto Motezuma, exponiendo además los motivos y las fuentes documentales que pudieron impulsar la creación de la ópera de tema “indio-americano”. Motezuma, a Mexica opera by Antonio Vivaldi and Girolamo GiustiAbstractThis article discusses the theatrical aspects involved in the only performance of the opera Motezuma by the composer Antonio Vivaldi, which premiered at the Sant’Angelo theater in Venice in 1733. The author uses unpublished historical archives to establish Girolamo Giusti as the true playwright of the libretto Motezuma, addressing the motives and sources that could have lead to the creation of this opera with an Indigenous-American theme. Recibido: 10 de marzo de 2020Aceptado: 28 de septiembre de 2020


1903 ◽  
Vol 30 (1) ◽  
pp. 75-90
Author(s):  
Edward J. Dent
Keyword(s):  

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