Media Power and Global Television News

Author(s):  
Saba Bebawi
2017 ◽  
Vol 11 (3) ◽  
pp. 289-308 ◽  
Author(s):  
Colleen Murrell

This article examines the role that the global television news agencies play in the handling of user generated content (UGC) video from Syria. In the almost complete absence of independent journalists, Reuters, Associated Press and Agence France-Presse are sourcing citizen videos from YouTube channels and passing it on to their clients. This article examines the verification processes that the agencies undertake to check on the veracity of this material and asks whether the agencies have abandoned independent journalism to activists. This article provides a comparative analysis of two months’ worth of UGC videos from Syria that were broadcast by the global news agencies after Russia joined the bombing campaign in Syria in late 2015. It analyses the content, verification processes and information that the agencies give their clients about this material. Through interviews with senior editors from the three organisations, questions of certainty versus probability are explored, along with ethical arguments about propaganda versus information transparency. The global news agencies are the engine drivers of international news coverage and their decisions and interpretation feed directly into the media ecology of mainstream and then alternative media.


1994 ◽  
Vol 4 (1-2) ◽  
pp. 9-24 ◽  
Author(s):  
Michael Gurevitch ◽  
Anandam P. Kavoori

Abstract This article discusses the relevance of narrative analysis to the study of media globalization by presenting results of an ongoing study of television news in the United States, Europe, and the Middle East. It discusses issues of local and global meanings by focusing on a number of elements of narrative structure (time, valence, story/discourse, themes, drama, genre, and myths) and argues that each element presents ways to track particularistic and universalistic meanings in television news. A concluding section emphasizes the importance of narrative analysis to the study of globalization with a discussion of live global television events. (Journalism and Mass Communication)


Author(s):  
Karin Becker

The photo essay, a form of visual journalism that arose during the era of the picture magazines, has reemerged as a regular feature of global news channels, including CNN, BBC World, and, notably, Al Jazeera English, recognized for its live reporting of political unrest. In 2017, a year marked by protest around the world, AJE published over 200 photo-series, including 37 on public protest. An analysis based in a four-year study of protest on screen, revealed that these photo essays share characteristics that in turn distinguish them from video broadcasts of public protests. The photo-reportage on screen, like its classic forerunner in print, employs a variety of visual perspectives and focuses on participants who are often quoted and identified by name. Scenes of public protest are complemented by visual and textual reporting from the private/domestic sphere. This visual strategy, in contrast to the immediacy of video coverage from the streets, supports knowledge of the protest issue and engagement with its participants. Keywords: Al Jazeera English, global television news, news galleries, photo essay, photojournalism, public protest


2011 ◽  
Vol 4 (3) ◽  
pp. 255-273 ◽  
Author(s):  
Lars Willnat ◽  
Yunjuan Luo

2018 ◽  
pp. 48-73
Author(s):  
Alexa Robertson ◽  
Luiza Chiroiu ◽  
Madeleine Ceder

Sign in / Sign up

Export Citation Format

Share Document