Adorno as a Reader: Writing the Mediation of Literature and Philosophy

Author(s):  
Matthew Gannon
GEOgraphia ◽  
2009 ◽  
Vol 5 (10) ◽  
Author(s):  
Jorge Luiz Barbosa

Cidade e Utopia são temas que se cruzam na literatura e na filosofia, alimentando o ideário de uma sociedade nova. A Utopia, de Thomas Morus, e A República,  de Platão,  fazem a referência dessa literatura e desse tema na filosofia e no pensamento social. Abstract: City and utopia are crossed themes both in literature and philosophy, feeding an idealism of a new  society. Thomas Morus Utopia and Plato's  Republic  are references  of  that literature  and  that theme on philosophy  and social thought. 


Author(s):  
Alice Crary

In this chapter, Alice Crary argues that a truly ‘realist’ work of literature might be one that, instead of conforming to familiar genre-specifications, attempts by other means to expose readers to the real—that is, to how things really are. Crary highlights Coetzee’s efforts to elicit what she calls ‘transformative thought’: a process that involves both delineating the progress of individual characters in their quests for reality, and, in formal terms, inviting readers to, for instance, imaginatively participate in such quests. With regard to The Childhood of Jesus, she highlights resonances between these features of Coetzee’s writing and Wittgenstein’s procedures in the Philosophical Investigations. In doing so, Crary brings out a respect in which literature and philosophy are complementary discourses: literature can deal in the sort of objective or universal truth that is philosophy’s touchstone, and philosophical discourse can have an essentially literary dimension.


Author(s):  
Andrew Dean

Coetzee’s interest in destabilizing the boundaries of literature and philosophy is most evident in later fictions such as Elizabeth Costello. But as Andrew Dean argues in this chapter, this interest in moving across boundaries in fact originates much earlier, in Coetzee’s quarrel with the institutions and procedures of literary criticism. Coetzee used the occasion of his inaugural professorial lecture at the University of Cape Town (Truth and Autobiography) to criticize the assumption that literary criticism can reveal truths about literature to which literary texts are themselves blind. Influenced in part by such figures as Jacques Derrida and Paul de Man, Coetzee posed a series of challenging questions about the desires at stake in the enterprise of literary criticism. Developing these thoughts, Dean explores the way in which Coetzee’s earlier fiction, including such texts as Foe (1986), is energized by its quarrelsome relationship with literary criticism and theory, especially postcolonial theory.


Author(s):  
Seán Hand

This chapter explores posthumously published poems and fragments of novels by Levinas. It shows how seriously Levinas considered abandoning philosophy at a key moment in favor of writing novels. It examines how this calls into question some of Levinas’s positions regarding literature in the postwar period. It looks at how the thematics of his artistic plans conflict with ethical postulations in his major works. It traces relations between these plans and the work of key influential writers like Blanchot. It considers how these novelististic experiments recast Levinas’s essays on aesthetics. And it reflects on how knowledge of this work by Levinas must now inform our appreciation of his philosophical publications.


2012 ◽  
Author(s):  
Semir Zeki

A look at the works of Dante, Balzac, Zola, Mann and the great poets of the Orient, as well as Michelangelo’s sculptures, Cezanne’s paintings, and Wagner’s music from a brain science perspective. The fascinating publication in the field of neuroesthetics. Describing the neurobiological foundations of aesthetic perception, the author extends the considerations from fine arts to music, literature and philosophy.


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