CONDUCTING AN EXAMINATION OF MUSIC LITERATURE IN THE INVESTIGATION OF OFFENSES RELATED TO ASSAULT ON CULTURAL VALUES

The article discusses the issues arising in the investigation of criminal offenses on the example of illegal search work at an archaeological heritage site, destruction, destruction or damage to cultural heritage sites. Conducting certain types of examinations is disclosed as the activity of experts who possess knowledge of certain branches of science. The issues of carrying out a comprehensive forensic technical examination of documents and art criticism are highlighted. The main methods used by experts of the above types of expertise have been determined. It was emphasized that the most promising and expedient procedure for carrying out a comprehensive examination of music literature is to first conduct a technical examination of documents, which will allow restoring the lost fragments of both the material and the text of a musical work, taking into account the methods that will then be used by an art expert. Activities for pre-trial investigation of crimes that encroach on cultural heritage, cultural values, where the objects of examination are music literature, in particular, is a complex multifaceted and multifaceted process to perform the tasks of criminal justice. The specific nature of the investigation of these criminal offenses makes the issue of organizing examinations quite relevant. The multifaceted investigation of these offenses is reflected in its organization, in particular through the use of special art knowledge in procedural and non-procedural forms. The practical purpose of the organization is to determine the optimal direction and content of the investigation, optimize its purpose, forces and means necessary to achieve it, the correct placement of forces and the creation of appropriate conditions. The growing needs of modern society in the use of knowledge in the field of art history does not bypass the field of justice. Understanding the importance of special knowledge for establishing factual data gives grounds to consider forensic science as an independent institution for the protection of the rights and legitimate interests of citizens, legal entities and the interests of the state as a whole.

The ministry of sound

Every week, more than a million people attend a religious service in one of England’s 16,000 Anglican parish churches. In doing so, almost all will participate in communal singing as a member of the dynamic ensemble that is a parish church congregation. What are the functions of these ensembles? What are their social dynamics? How do their members regard them? And how do these ensembles mediate, become mediated by, and manifest in the music itself? Building on the growing body of Christian congregational music literature, this chapter discusses the findings of an empirical study of one church, and explores how music-making can impact on the individuals and ensembles who participate in it, and on the music they, collectively, produce.

Slovene Musical Stage Works

This second installment of a two-part article on Slovene music literature and lyric diction surveys musical stage works in the Slovene language, with a large chart of composers and works, along with sample music examples and further commentary on Slovene composers.

RILM Abstracts of Music Literature with Full Text

RILM Abstracts of Music Literature with Full Text (RAFT) is published by RILM, an internationally recognized authority on providing bibliographic access to music research. The database includes over a million bibliographic records with coverage from the early 1800's to the present. Full text coverage of more than 250 journals provides additional value to this database. The full text titles are unique to the database and there is very little overlap with other music databases. The comprehensives and quality of RILM Abstracts of Music Literature with Full Text is unrivaled among music databases.The EBSCO interface of RAFT is familiar to many users and offers easy integration with other heavily used music databases, such as Music Index with Full Text and RIPM Retrospective Index to Music Periodicals. The heavy coverage of foreign language content and sheer size of the citations may make RAF intimidating to the novice music researcher. However, RILM's authority on music research and interdisciplinary content make RAFT a necessary database for serious upper-level music research.

To the problem of "polyphony of consciousness" in the context of the aesthetics of constructivism

The purpose of the article is to trace the peculiarities of the phenomenon of "polyphony of consciousness" as one of the main patterns of artistic thinking of the early twentieth century, which became widespread in various arts and reflected artistic and aesthetic trends of such a bright movement of the first avant-garde as constructivism. On the examples of music, literature, theater, cinema, fine art to reveal this phenomenon as an important manifestation of the aesthetics of constructivism. In selected works of art, to identify and consider characteristics of the musical text polyphonic techniques, which in turn have been widely used and reflected the individual stylistic features of representatives of different spheres of creativity of the period. The methodological basis of this study is a comprehensive approach, which contains historical and cultural, stylistic, and holistic methods of analysis. The theoretical method acquires special significance among them, as it is aimed at identifying the principles of writing in various fields of art. The scientific novelty of this work is based on the originality of the generalized study of the phenomenon of "polyphony of consciousness". This phenomenon is being considered as an important manifestation of the aesthetics of constructivism, based on the examples of music, literature, theater, cinema, and fine arts. Such an understanding of the implementation of the polyphonic principles of writing in the context of such an artistic movement as constructivism is undertaken for the first time in Ukrainian musicology. Conclusions. Experiments and searches of the artists of the early twentieth century in the fields of expression, content, composition, and language that "provoked" the development of stylistic pluralism in all spheres of art, strengthened the role of polyphonic principles of writing, and, more broadly, artistic thinking. Polyphonic techniques find their place in the trends of the aesthetics of constructivism, going beyond the musical texture and penetrating into all kinds of art. Polyphony and its principle of combining self-developing lines, voices, and layers, was perhaps the most important means of artistic reflection of the contradictions of the world, as well as the direction of the search in the field of content and means of expression.

Introduction

This chapter presents an overview of the popular music literature that has addressed the music of Queen. It is argued that authors have previously been limited in their analysis of Queen’s style because of lacking methodological frameworks. Having introduced and established the concept of idiolect, a specific distinction is drawn between compositional strategies and sonic patterns, which account for the different types of shared characteristics across the band’s output. These ideas are supported through the application of Wittgenstein’s model of ‘family resemblance’, suggesting that some tracks share more resemblances with others, yet they remain part of, and contribute to the overall ‘family’ of Queen’s output. This approach to idiolect is extended to consider how individual tracks are also connected to wider styles, thereby establishing the wider dual framework for subsequent analyses.

Perceiving Music Through the Lens of Synaesthesia and Absolute Pitch

Synaesthesia and absolute pitch (AP) are two rare conditions that occur more frequently within populations of artistic professionals. Current thinking surrounding synaesthesia and AP and their relationship to music perception form the focus of this article. Given that synaesthesia has rarely been discussed in the music literature, the article surveys and consolidates general neurobiological, psychological, and behavioural evidence to summarise what is currently known on this topic, in order to link this back to the conditions that most relate to music. In contrast, research on AP is now well established in the music literature, but the important gap of linking AP to other conditions such as synaesthesia has yet to be fully explored. This article investigates the potential relationship between synaesthesia and AP for musicians who possess both conditions by systematically comparing the definitions, classifications, prevalence, diagnoses, and impacts on music perception of synaesthesia and AP and provides insights into the varying states of the literature and knowledge of both conditions. In so doing, this article aims to facilitate a greater understanding of music and auditory forms of synaesthesia and their interaction with AP and encourage increased research effort on this important topic.

Landscape as a Model of Architecture: A Contemporary Imitation

The act of designing architecture is based on the use of various models chosen as referents. Such models may come from architecture itself or from the arts like sculpture, painting, music, literature, and so forth. They usually provide the components for architectural design. This stance leads to the notion of architectural design as the construction of a new order derived from elements, examples, or prototypes verified in time by virtue of experience. Thus, the praxis of the design process is mainly referred to as a conscious imitation of models. The thesis of this work is that landscape constitutes one of these models. Landscape should be considered a contemporary model for architectural imitation because it is a concept that reveals a dynamic reality oriented towards the future. The values of landscape produce a wish to emulate it, to assimilate it. In a renewed object–subject relationship, landscape proposes itself as a paramount issue for architectural design. This paper contextualizes and explains what comprises such renewed mimesis and why landscape is a subject that provokes a desire for active emulation in contemporary architecture.

“Of pearls and stars, he made the verse”: the literary career of the founders of Brazilian Neurology

ABSTRACT In the beginning of modern Neurology, between the 19th and the 20th centuries, neurologists often assumed simultaneous positions of intellectual prominence and gained significant cultural credentials. Not only observers and admirers of music, literature, and the fine arts, many neurologists and neuroscientists worldwide developed significant cultural careers. When studying the careers and lives of the founders of Brazilian Neurology, one finds only sparse information on their cultural activities, which are often relegated to side notes. Therefore, the author aims to focus on the literary output of some of the most important early Brazilian neurologists, who excelled in poetry or longer written forms and were eventually immortalized by the Academia Brasileira de Letras: Antônio Austregésilo, Aloysio de Castro, Deolindo Couto, and Miguel Couto, contextualizing their artistic production in their respective academic lives.