Audience ethnography in practice : Between talk, text and action

Keyword(s):  
2017 ◽  
Vol 61 (4) ◽  
pp. 59-77 ◽  
Author(s):  
Julia M. Ritter

Fan blogs devoted to Punchdrunk’s long-running immersive production of Sleep No More reveal the impact of dance and immersion on spectatorship. Positioned as participant observers within the SNM world — with its own rules, codes of behavior, values, social dynamics, and environments — fans channel their postperformance perceptions into visual ethnographies that include poetry, digital painting, illustration, collage, sculpture, and other forms of fan art.


Author(s):  
Ralina L. Joseph

Postracial Resistance: Black Women and the Uses of Strategic Ambiguity looks at how, in the first Black First Lady era, African American women celebrities, cultural producers, and audiences subversively used the tools of postracial discourse—the media-propagated notion that race and race-based discrimination are over, and that race and racism no longer affect the everyday lives of both Whites and people of color—in order to resist its very tenets. Black women’s resistance to disenfranchisement has a long history in the U.S., including struggles for emancipation, suffrage, and de jure and de facto civil rights. In the Michelle Obama era, some minoritized subjects used a different, more individual form of resistance by negotiating through strategic ambiguity. Joseph listens to and watches Black women in three different places in media culture: she uses textual analysis to read the strategies of the Black women celebrities themselves; she uses production analysis to harvest insights from interviews with Black women writers, producers, and studio lawyers; and she uses audience ethnography to engage Black women viewers negotiating through the limited representations available to them. The book arcs from critiquing individual successes that strategic ambiguity enables and the limitations it creates for Black women celebrities, to documenting the way performing strategic ambiguity can (perhaps) unintentionally devolve into playing into racism from the perspective of Black women television professionals and younger viewers.


2021 ◽  
Vol 13 (21) ◽  
pp. 11690
Author(s):  
Linda Leung ◽  
Daniel Feldman

In designing a brand-new sport, do basic tenets of digital entrepreneurship such as ‘solve a user problem’ apply? How is it possible to understand who the potential audience might be for a product and experience that does not yet exist in a Culture Industry such as sports? The paper examines the beginnings of an Australian startup with an early-stage product in the sports and entertainment industry and its use of digital ethnography to investigate key audience segments. The process of audience development occurred alongside the prototyping and testing of a high-tech product that is central to the sport. As the product underwent iterations of development and release, audience interaction with the product was tracked through social media. Discourse analysis of audience engagement with the product on Facebook was conducted to inform a series of user personas that indicated a heavy male bias in the future audience. In exploring the intersection of sports, Cultural Industries and digital entrepreneurship, the paper concludes with observations of how this case challenges each of those notions through the process of ‘starting up’.


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