Art as Gift in the Dutch Republic

2021 ◽  
Author(s):  
Michael Zell
Keyword(s):  
Seventeenth Century ◽  
Personal Relationships ◽  
Dutch Republic ◽  
Gift Giving ◽  
Dutch Art ◽  
Special Cases ◽  
Gift Exchanges

This chapter explores the distinctive gift culture and the gifting of art in seventeenth-century Holland. Although gift giving has been marginalized in studies of seventeenth-century Dutch art, gift exchanges of various kinds, including art, were widespread in Dutch mercantile culture. Giving gifts was considered obligatory for nurturing burgher professional and personal relationships, and gifts of art played a key role in the Republic’s diplomatic engagements. Like their colleagues elsewhere, Dutch artists mixed gifts with sales transactions by offering their works as gifts to potential and established patrons, contacts, and familiars. Discussion of the special cases of Rembrandt and Vermeer is reserved for later chapters, but here examples of gifts by Hendrick Goltzius, Jan Lievens, Govert Flinck, and others are addressed.

Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art

2021 ◽  
Author(s):  
Michael Zell
Keyword(s):  
Social Networks ◽  
Seventeenth Century ◽  
Early Modern ◽  
Gift Exchange ◽  
Gift Giving ◽  
Dutch Art ◽  
Dutch Golden Age ◽  
Symbolic Economy ◽  
The Gift ◽  
New Perspective

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a love of art

Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art

2021 ◽  
Author(s):  
Michael Zell
Keyword(s):  
Seventeenth Century ◽  
Gift Giving ◽  
Art Making ◽  
Dutch Art ◽  
Dutch Golden Age ◽  
Symbolic Economy ◽  
The Gift ◽  
Economic Rhetoric ◽  
History Of ◽  
New Perspective

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.

Biblical Philology and Hermeneutical Debate in the Dutch Republic in the Second Half of the Seventeenth Century

2017 ◽  
Author(s):  
Jetze Touber
Keyword(s):  
Seventeenth Century ◽  
Human Dignity ◽  
Dutch Republic ◽  
Biblical Scholarship ◽  
The Enlightenment ◽  
Conflicting Interests ◽  
The Ideal ◽  
Held Back

Spinoza’s time was rife with conflicts. Historians tend to structure these by grouping two opposing forces: progressive Cartesio-Cocceian-liberals versus conservative Aristotelian-Voetian-Orangists. Moderately enlightened progressives, so the story goes, endorsed notions such as human dignity, toleration, freedom of opinion, but shied away from radicalism, held back by the conservative counterforce. Yet the drift was supposed to be inevitably towards the Enlightenment. This chapter tries to capture theological conflicts in the Dutch Republic of the Early Enlightenment in a triangular scheme, that covers a wider range of conflicting interests. Its corners are constituted by ‘dogmatism’ (Dordrecht orthodoxy), ‘scripturalism’ (Cocceianism), and ‘rationalism’ (theology inspired by Cartesianism, Spinozism, or any other brand of new philosophy). Dogmatics and rationalists battled in terms of philosophy, whereas the scripturalists and their respective opponents fought each other rather in the field of biblical scholarship. This multilateral conflict within Dutch Calvinism made the ideal of a unified church untenable.

scholarly journals The Jesuitesses in the Bookshop: Catholic Lay Sisters’ Participation in the Dutch Book Trade, 1650–1750

2021 ◽  
Vol 57 ◽  
pp. 163-184
Author(s):  
Elise Watson
Keyword(s):  
Seventeenth Century ◽  
Print Culture ◽  
Catholic Church ◽  
Literary Culture ◽  
Book Trade ◽  
Dutch Book ◽  
Dutch Republic ◽  
Institutional Critique ◽  
Public Criticism

The institutional Catholic Church in seventeenth-century Amsterdam relied on the work of inspired women who lived under an informal religious rule and called themselves ‘spiritual daughters’. Once the States of Holland banned all public exercise of Catholicism, spiritual daughters leveraged the ambiguity of their religious status to pursue unique roles in their communities as catechists, booksellers and enthusiastic consumers of print. However, their lack of a formal order caused consternation among their Catholic confessors. It also disturbed Reformed authorities in their communities, who branded them ‘Jesuitesses’. Whilst many scholars have documented this tension between inspired daughter and institutional critique, it has yet to be contextualized fully within the literary culture of the Dutch Republic. This article suggests that due to the de-institutionalized status of the spiritual daughters and the discursive print culture that surrounded them, public criticism replaced direct censure by Catholic and Reformed authorities as the primary impediment to their inspired work.

The Dutch Republic in the Seventeenth Century By Maarten Prak

History ◽  
2006 ◽  
Vol 91 (304) ◽  
pp. 630-631
Author(s):  
ELIZABETH EDWARDS
Keyword(s):  
Seventeenth Century ◽  
Dutch Republic
Sign in / Sign up

Export Citation Format

Share Document