Romancierele: traducerile de romane scrise de femei în cultura română (1841-1918)

Transilvania ◽  
2021 ◽  
pp. 11-21
Author(s):  
Ștefan Baghiu
Keyword(s):  
Nineteenth Century ◽  
George Sand ◽  
Women Novelists ◽  
French Novel ◽  
Woman Author ◽  
American Authors ◽  
Matilde Serao

This article uses the data from the Chronological Dictionary of Novels Translated in Romania from its Origins to 1989 in order to chart the presence of foreign women novelists and their works in Romanian translation between 1841 (the year of the first translation of a novel originally written by a woman author, Sophie Cottin) and 1918 (the year marking the end of the long nineteenth century and the unification of Romanian provinces). The study separates two main periods, starting from the domination of the French novel: 1841-1890 and 1890-1918. The former period comprises more French novel translations, from authors such as Sophie Cottin, Stephanie-Felicité Genlis, George Sand, Countess Dash, M-me Charles Reybaud, and Mie D’Aghonne. The latter comprises Italian and American authors, such as Carolina Invernizio, Matilde Serao, Anna Katherine Green, Frances Elisa Hodgen Burnett, and even northern authors such as Clara Tschudi.

scholarly journals Translations of Novels in the Romanian Culture During the Long Nineteenth Century (1794-1914): A Quantitative Perspective

2020 ◽  
Vol 6 (2) ◽  
pp. 87-106
Author(s):  
Ștefan Baghiu
Keyword(s):  
Nineteenth Century ◽  
Quantitative Methods ◽  
First World War ◽  
Second Line ◽  
World War ◽  
American Novel ◽  
East European ◽  
The First World War ◽  
French Novel ◽  
First World

This article uses quantitative methods to provide a macro perspective on translations of novels in Romanian culture during the long nineteenth century, by modifying Eric Hobsbawm’s 1789-1914 period, and using it as spanning from 1794 (the first registered local publishing of a translated novel) to 1918 (the end of the First World War). The article discusses the predominance of the French novel (almost 70% of the total of translated novels), the case of four other main competitors in the second line of translations (or the golden circle, as named in the article: German, English, Russian, and Italian), the strange case of the American novel as a transition zone, and the situation of five other groups of novels translated during the period (the atomizing agents: the East European, the Spanish, the Austrian, the Nordic, and the Asian novel).

Unfähigkeit

2013 ◽  
Vol 47 (2) ◽  
Author(s):  
Jobst Welge
Keyword(s):  
Nineteenth Century ◽  
Specific Form ◽  
Fin De Siecle ◽  
The Novel ◽  
Provincial City ◽  
Non Linear ◽  
Fin De Siècle ◽  
French Novel ◽  
The Subject ◽  
Early Novel

AbstractThe employee as a typical figure of modernity has been represented as a specific type of literary anti-hero since the nineteenth century. Italo Svevo’s early novel, Una vita (1982, A Life), is an example that is strongly related to the theme of the anti-hero in the French novel of disillusion, as well as to the fin-de-siécle concern with an incapacitated, dilettante protagonist, unable to act and live. In light of Svevo’s own misgivings about the profession of writing fiction, the novel reflects on the relation between literature and life, by way of an uprooted individual who finds himself ill at ease in the anonymous, competitive world of modernity. The subject of Svevo’s novel, the arrival of a provincial, petit-bourgeois intellectual to a semi-provincial city, may also be found in a somewhat later Brazilian novel, O amanuense Belmiro (The amanuensis Belmiro, 1937) by Cyro dos Anjos. Aside from parallels of plot, social, and geographical setting, which are grounded in the experience of modernity in different contexts, the two novels may be said to model a new kind of author-function, as well as a specific form of a non-linear, self-reflexive novel.

Utopia Reconsidered: Women Novelists and Nineteenth-Century Utopian Visions

Signs ◽  
1988 ◽  
Vol 13 (4) ◽  
pp. 830-841 ◽  
Author(s):  
Nan Bowman Albinski
Keyword(s):  
Nineteenth Century ◽  
Women Novelists

“Children of Liberty”: Idealist Historiography in Staël, Shelley, and Sand

PMLA ◽  
2003 ◽  
Vol 118 (3) ◽  
pp. 502-520 ◽  
Author(s):  
Kari Lokke
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Mary Shelley ◽  
George Sand ◽  
The Past ◽  
The Future ◽  
Spirit World ◽  
Historical Agency ◽  
The French Revolution

This essay explores the contributions of a tradition of nineteenth-century Künstlerromane by Germaine de Staël, Mary Shelley, and George Sand to European idealist historiography as exemplified in Kant's writings on perfectibility. Corinne, Valperga, and Consuelo represent the historical agency of the intellectual and artist as communication with a spirit world inhabited by ghosts of the past so that their secrets and wisdom can be transmitted to the future. In canonical Romanticism, contact with these phantasms provokes crippling guilt over the failure of past projects of perfectibility like the French Revolution (doomed by violence and bloodshed), guilt that is figured in the interdependent tropes of the titanic hero and Romantic melancholy. The novels discussed here perform an explicit critique of masculinist individualism in the name of women and humanity as a whole, replacing melancholy with enthusiasm and deploying spirits aesthetically, as sublime signs of future historical potentiality.

Sign in / Sign up

Export Citation Format

Share Document