Epilogue

Author(s):  
Garrett Felber
Keyword(s):  

This epilogue connects mid-century Black nationalist anti-carceral activism and the state’s response to the longer history of punitive policing and Islamaphobia.

2018 ◽  
Vol 62 (2) ◽  
pp. 78-96
Author(s):  
Geoffrey Lokke

The Trial (1956), a black nationalist play by Louis X (Louis Farrakhan), was expanded into a musical pageant called Orgena (1959) and performed in major venues by “The Muslims” of Boston’s Mosque No. 11, including two nights at Carnegie Hall. The history of The Trial and its development into Orgena generate discussion of the theology, politics, and cultural legacy of the Nation of Islam.


Author(s):  
Jill D. Snider

Chapter 8 describes Headen’s move in 1925 to Albany, Georgia, where he established the Headen Motor Car Company and began the engine work that led to his first patent. The chapter explores the coalition he built in Albany, which comprised black beauty salon owner and clubwoman Emma V. Wynn and her husband fraternal leader and café owner William Wynn; members of the white Chamber of Commerce; black nationalist attorney Henry V. Plummer; and auto enthusiast Edward E. Harris. The chapter also documents Headen’s rise as an inventor, his relationship with white railroad engineer Henry A. Petit (co-inventor on his first patent), and his move away from the coalition model in favor of individual investors, including patent speculator George P. Koelliker and financier George D. Hamilton. The chapter places Headen’s activities in the context of growing African American automobility, the history of bi-fuel engines, and the existing avenues of funding for independent inventors.


Author(s):  
Garrett Felber

In most histories of Black Power, as the Black Nationalist, anticolonial, and anticarceral frameworks developed by the Nation of Islam throughout the civil rights period shifted from margin to center, the Nation of Islam itself inexplicably recedes from view. This chapter highlights the continuity between these ideas, formations, and strategies and the period in which they flourished and spread belies state narratives of nihilism, rupture, and disorder, which served to justify further carceral buildup. From the creation of the Organization of Afro-American Unity, to Watts, to the mysteries surrounding the assassination of Malcolm X, the chapter looks to the longer history of activism and anti-carceral thought launched by the Nation of Islam during the 1960s and afterward.


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