La huella de Proust en la obra de Yorgos Seferis

Léna Charcharé

doi:10.53971/2718.658x.v12.n19.33836

La huella de Proust en la obra de Yorgos Seferis

Recial ◽

10.53971/2718.658x.v12.n19.33836 ◽

2021 ◽

Vol 12 (19) ◽

pp. 115-138

Author(s):

Léna Charcharé

Keyword(s):

Marcel Proust

Si confiamos en Seferis cuando afirma que no hay partenogénesis en el arte y que cada uno de nosotros está hecho de todo lo que ha asimilado, entonces podemos llegar con seguridad a la conclusión de que, en este crisol que constituye la composición artística de Yorgos Seferis, la influencia proustiana ha jugado uno de los papeles más significativos. Y esto puede no ser tan obvio en su producción poética como en su única novela, Seis noches en la Acrópolis. El presente estudio aspira a hacer exactamente eso: señalar meticulosamente las fuentes de inspiración que Seferis encontró en la obra de Marcel Proust. Aparte de las afinidades más evidentes que atañen a la trama y la tematología, también existen muchas más imperceptibles, como la función soteriológica de la literatura o la obsesión ubicua del pasado, entre otras.

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The Many Voices of Lydia Davis

10.3366/edinburgh/9781474400176.001.0001 ◽

2016 ◽

Cited By ~ 3

Author(s):

Jonathan Evans

Keyword(s):

Short Stories ◽

Marcel Proust ◽

Gustave Flaubert ◽

Maurice Blanchot ◽

Literary Production ◽

American Writer ◽

Michel Leiris ◽

The Many

The Many Voices of Lydia Davis shows how translation, rewriting and intertextuality are central to the work of Lydia Davis, a major American writer, translator and essayist. Winner of the Man Booker International Prize 2013, Davis writes innovative short stories that question the boundaries of the genre. She is also an important translator of French writers such as Maurice Blanchot, Michel Leiris, Marcel Proust and Gustave Flaubert. Translation and writing go hand-in-hand in Davis’s work. Through a series of readings of Davis’s major translations and her own writing, this book investigates how Davis’s translations and stories relate to each other, finding that they are inextricably interlinked. It explores how Davis uses translation - either as a compositional tool or a plot device - and other instances of rewriting in her stories, demonstrating that translation is central for understanding her prose. Understanding how Davis’s work complicates divisions between translating and other forms of writing highlights the role of translation in literary production, questioning the received perception that translation is less creative than other forms of writing.

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Judaism and Heterogeneity in the Modernist Long Novel

Modernist Cultures ◽

10.3366/mod.2015.0119 ◽

2015 ◽

Vol 10 (3) ◽

pp. 357-379

Author(s):

Jeremy Tambling

Keyword(s):

Latin American ◽

George Eliot ◽

Marcel Proust ◽

Carlos Fuentes ◽

American Novel ◽

Dorothy Richardson ◽

Anti Semitism ◽

Dreyfus Affair ◽

Meaningful Category ◽

Roberto Bolano

This paper explores how Judaism is represented in non-Jewish writers of the nineteenth-century (outstandingly, Walter Scott and George Eliot) and in modernist long novels, such as those by Dorothy Richardson, Marcel Proust, James Joyce, Alfred Döblin, Robert Musil, and Thomas Mann, and, in the Latin American novel, Carlos Fuentes and Roberto Bolaño. It finds a relationship between the length of the ‘long’ novel, as a meaningful category in itself (not to be absorbed into other modernist narratives), and the interest that these novels have in Judaism, and in anti-semitism (e.g. in the Dreyfus affair) as something which cannot be easily assimilated into the narratives which the writers mentioned are interested in. The paper investigates the implications of this claim for reading these texts.

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Le premier moment de l’art dans À la recherche du temps perdu de Marcel Proust – une « leçon d’idéalisme » ?

Revista Cercurilor studenţeşti ale Departamentului de Limba şi Literatura Franceză ◽

10.31178/rcsdllf.9.3 ◽

2020 ◽

pp. 25-40

Author(s):

Larisa Botnari

Keyword(s):

Essential Role ◽

Marcel Proust ◽

The Self ◽

Philosophy Of Art ◽

The Novel ◽

Philosophical Interpretation ◽

German Philosopher ◽

Lost Time ◽

Aesthetic Thinking

Although very famous, some key moments of the novel In Search of Lost Time, such as those of the madeleine or the uneven pavement, often remain enigmatic for the reader. Our article attempts to formulate a possible philosophical interpretation of the narrator's experiences during these scenes, through a confrontation of the Proustian text with the ideas found in the System of Transcendental Idealism (1800) of the German philosopher F. W. J. Schelling. We thus try to highlight the essential role of the self in Marcel Proust's aesthetic thinking, by showing that the mysterious happiness felt by the narrator, and from which the project of creating a work of art is ultimately born, is similar to the experiences of pure self-consciousness evoked and analyzed by Schellingian philosophy of art.

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