Anna Howard Shaw

Author(s):  
Trisha Franzen

This first scholarly biography of Anna Howard Shaw (1847–1919) sheds new light on an important woman suffrage leader who has too often been overlooked and misunderstood. An immigrant from a poor family, Shaw grew up in an economic reality that encouraged the adoption of non-traditional gender roles. Challenging traditional gender boundaries throughout her life, she put herself through college, worked as an ordained minister and a doctor, and built a tightly knit family with her secretary and longtime companion Lucy E. Anthony. Drawing on unprecedented research, the book shows how these circumstances and choices both impacted Shaw's role in the woman suffrage movement and set her apart from her native-born, middle- and upper-class colleagues. The book also rehabilitates Shaw's years as president of the National American Woman Suffrage Association (NAWSA), arguing that Shaw's much-belittled tenure actually marked a renaissance of both NAWSA and the suffrage movement as a whole.

Author(s):  
Trisha Franzen

This introductory chapter provides an overview of the life and accomplishments of Anna Howard Shaw (1847–1919) as well as the author's account of how she became interested in Shaw. It then sets out the book's primary purpose, which is to provide a much-needed biography of a major figure in U.S. women's history. The book is also a historiographic mystery. How and why have so few historians taken an in-depth look at Anna Howard Shaw? Why is there no discussion of the fact that she was the first and only salaried president of the National American Woman Suffrage Association? And certainly the core question remains: how important was Shaw to the woman's suffrage movement? The chapter urges two core changes to Shaw scholarship. First we must consider what the sources actually tell us. The second is to open up the analyses and consider the possibility of other views of Shaw.


Author(s):  
Susan Goodier ◽  
Karen Pastorello

This chapter focuses on men, the only empowered contingent of the suffrage movement. While some men had always voiced support for woman suffrage, no sustained men's organization existed in the state until 1908. That year, Anna Howard Shaw, president of the National American Woman Suffrage Association, encouraged the founding of the Men's League for Woman Suffrage, which then served as an affiliate of the New York State Woman Suffrage Association. These elite white men, often raised or living in suffrage households, risked embarrassment and censure by publicly displaying their support for woman suffrage. As their participation became routine, the novelty of it wore off. These privileged male champions of woman suffrage inspired men of other classes—including urban immigrants and rural, upstate men—to reconsider their suffrage stance. This unique aspect of the suffrage coalition thereby played a lesser but crucial role in winning the vote for women.


2020 ◽  
pp. 009614422094412
Author(s):  
Sierra Rooney

This article traces the commission, design, and public reception for New York City’s Women’s Rights Pioneers Monument as a case study for the contentious politics of monument-building. The Central Park statue—as of this writing, not yet realized—has followed a protracted, frequently contested path since its conception in 2015. It was originally designed to depict women’s rights activists Susan B. Anthony and Elizabeth Cady Stanton for the centennial anniversary of the Nineteenth Amendment. What began as an initially well-received initiative to correct the gender imbalance in the city’s public art became mired in controversy amid the politically charged atmosphere of the election of Donald Trump to the U.S. presidency. I argue that, while the polarity of contemporary politics amplified the statue’s controversy, the tensions at play are the product of more than 170 years of conflicts inherent in the progressive activism of the American woman suffrage movement and commemorations of it.


1990 ◽  
Vol 31 (1) ◽  
pp. 23-46 ◽  
Author(s):  
Karen J. Blair

The early twentieth century found American suffragists experimenting with a diverse array of techniques to argue their cause. Among those who gave their talents to this effort was a skilled theatrical professional, Hazel MacKaye (1888–1944). A radical suffragist, MacKaye was a charter member of the Congressional Union, which in 1914 formally split off from the National American Woman Suffrage Association and evolved into the militant wing of the suffrage movement, the National Woman's Party. Hazel MacKaye created four women's rights pageants to propagandize for the suffragists between the years 1913 and 1923, which this paper will describe and examine.


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