Burleigh’s Music Experience and Training in Erie

Author(s):  
Jean E. Snyder

This chapter focuses on Harry T. Burleigh's music experience and training in Erie. Burleigh demonstrated his love for music and his gifts as a singer long before he left Erie to study at the National Conservatory of Music in New York City. Music education at home and in studios opened doors for Burleigh to a variety of performance venues that prepared him for his successful audition at the National Conservatory and the rigorous course of study he would pursue there. Along the way he earned the support of many of Erie's prominent citizens, who would contribute to a fund supporting the early months of his training in New York City. This chapter examines when and where Burleigh heard and sang spirituals and what exposure he had to black musicians who toured the country, including the Fisk Jubilee Singers, the Hampton Juiblee Singers, James Monroe Trotter, and the Hyers Sisters.

Author(s):  
James King

This chapter details events in Roland Penrose's life from 1945 to 1947. Lee and Roland flew to New York City on 19 May 1946. Roland was elated to have the opportunity to rekindle his relationship with the Museum of Modern Art's (MOMA) director Alfred H. Barr, Jr., who likely warned him about the dangers he would face if he backed any kind of proposal to open a museum of modern art in London. Roland was taken with MOMA's collection: ‘Realizing that it was on a far greater scale that anything that could be dreamt of in London, consistently indifferent to all matters concerning the visual arts and still enfeebled by the war, this achievement nevertheless roused in me a longing to attempt some similar kind of folly at home’. Barr would also have expressed his gratitude to Roland for allowing his Picassos to be sent to MOMA during the war.


Author(s):  
Emily Franzosa ◽  
Ksenia Gorbenko ◽  
Abraham A. Brody ◽  
Bruce Leff ◽  
Christine S. Ritchie ◽  
...  

2020 ◽  
Vol 35 (9) ◽  
pp. 2755-2756
Author(s):  
Justina L. Groeger ◽  
Joanna L. Starrels ◽  
Amy R. Ehrlich

Eubie Blake ◽  
2020 ◽  
pp. 52-84
Author(s):  
Richard Carlin ◽  
Ken Bloom

This chapter describes Eubie’s first meeting with Noble Sissle; Sissle’s early life and training; Sissle and Blake’s initial song writing; and their efforts at pitching their song “It’s All Your Fault” to singer Sophie Tucker, who made it a local success. The chapter also discusses Eubie’s travel to New York to join Sissle as assistant to James Reese Europe; his work leading Europe’s band to entertain New York’s society at dinners and parties; and the racism he encountered while performing. Furthermore, the chapter explores the recording of “Charleston Rag”; the outbreak of World War I and Eubie’s lack of desire to serve abroad; the good treatment of black musicians in France as opposed to what they encountered at home; and the death of Europe and its impact on Sissle and Blake.


Author(s):  
Quincy D. Newell

Jane Manning experienced the gift of tongues shortly after her conversion, an event she took as a confirmation of her decision to join the Mormons. The rest of the Manning family appears to have converted to Mormonism after her and, together with white converts from the area, they all left Connecticut for Nauvoo, Illinois, under the direction of LDS missionary Charles Wesley Wandell. The practice of racial segregation on boats and railways meant that for much, if not all, of their journey from Connecticut to New York City and then up the Hudson River and west on the Erie Canal, the black and white members of the group were separated from one another. At some point during the trip, the black members of the group were refused further passage, so the Mannings walked the rest of the way. Jane’s memory of this portion of the journey emphasized God’s providence. When they arrived in Nauvoo, they found a bustling city that was struggling to accommodate newly arrived converts, many of whom were poor and vulnerable to the diseases that plagued the city.


1979 ◽  
Vol 13 (2) ◽  
pp. 255-263 ◽  
Author(s):  
Nancie L. González

Over more than a 200 year period, the Garifuna (Black Caribs) have become increasingly dependent upon migratory wage labor. Lately this has involved women as well as men, and a primary destination of this movement has been the United States. This article describes the process and explores the implications of this new phase for the maintenance of traditional sociocultural forms, both at home and in New York City.


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