The Redemption of Saint Paul
This chapter analyzes Norman Lewis’s Naples ’44 (1978), the text that most widely perpetuated the gendered redemption paradigm traced in this book. As a British “wedding officer” in Naples, Lewis judges Neapolitan women, distinguishing war brides and rape victims among a sea of prostitutes. This work is not about determining the women’s status but about staging his redemption: starting as a hard-nosed officer, Lewis’s character “dies” and is reborn as the Dantean narrator, making his supposedly anti-fictional diary a conversion narrative, much like John Horne Burns’s The Gallery. As the chapter charts Officer Lewis’s conversion, it puts his diary-novel in dialog with The Gallery and Curzio Malaparte’s La pelle (The Skin), whose spectacles Naples ’44 rewrites in more direct prose. Treated as anti-fictional by historians, Naples ’44 has arbitrated the sexuality of Neapolitan women and the men who love, purchase, or violate them. Lewis represents all Neapolitans as whores and all goumiers “as sexual psychopaths” and yet still emerges as the authoritative narrator. The chapter ends with a reflection on the contemporary cinematic adaption, Naples’44, directed by Francesco Patierno.