This book explores the complex and contested relationships that existed between class, patronage, and poetry in Hanoverian England by examining the life and work of Stephen Duck, the ‘famous Threshing Poet’. In 1730, Duck became the most famous agricultural labourer in the nation when his writing won him the patronage of Queen Caroline. The man, and the writing he produced, intrigued contemporaries. How was it possible, they asked, for an agricultural labourer to become a poet? What would a thresher write? Did he really deserve royal patronage, and what would he do with such an honour? How should he be supported? And was he an isolated prodigy, or were there others like him, equally deserving of support? Duck’s remarkable story reveals the tolerances, and intolerances, of the Hanoverian social order. This book sheds new light on the poet’s early life, revealing how the farm labourer developed an interest in poetry; how he wrote his most famous poem, ‘The Thresher’s Labour’; how his public identity as the ‘famous Threshing Poet’ took shape; and how he came to be positioned as a figurehead of labouring-class writing. It explores how the patronage Duck received shaped his writing; how he came to reconceive his relationship with land, labour, and leisure; and how he made use of his newly acquired classical learning to develop new friendships and career opportunities. And it reveals how, after Duck’s death, rumours about his suicide came to overshadow the achievements of his life. Both in life, and in death, this book argues, Duck provided both opportunity and provocation for thinking through the complex interplay of class, patronage, and poetry in Hanoverian England.
The bishops of the Lanfranchi family and the Royal Patronage dioceses in the Kingdom of Naples after the revolt of Masaniello (1648-1675)
