French Studies in and for the Twenty-first Century

The chapters in this book respond to important questions about the formal properties of French literary texts and the agency of form. A central feature of twentieth- and twenty-first century French and Francophone writing has been the exploration of how cultural forms (literary, philosophical and visual) create distinctive semiotic environments and at the same time engage with external realities. The aim of this volume is to explore how the formal properties of a range of texts inflect our reading of them and, through that exploration, to renew the engagement with form that has been a key feature of French cultural production and of analysis in French studies.


2015 ◽  
Vol 54 (3) ◽  
pp. 312-327
Author(s):  
Charles Forsdick

Those reflecting on what is ‘French’ about ‘French studies’ in the early twenty-first century must consider the transformations evident in the disciplinary field over the past century. This article gives an overview of these shifts, but focuses in particular on the increasingly pluralized and diversified objects of study now addressed in explorations of the French-speaking world, as well as on the radical changes in the ways in which those objects are now approached. Central to the analysis is an awareness of a wider Francosphere, which has served to locate France in relation to a wider network of countries and communities, and may be seen to have provincialized, as a result, in a transnational and postcolonial frame, the former colonial centre. The article concludes with a reflection on Mary Louise Pratt's designation of Modern Languages as ‘knowing languages and […] knowing the world through languages’ (2002), and – in the context of French studies in the twenty-first century – asks: which languages? which world? and what forms of knowing?


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