scholarly journals Juan Luis Carriazo Rubio, Alfonso X, 1921. Crónica del VII Centenario del nacimiento del rey Sabio, Madrid, SEEM, CSIC, EDITUM, Univ. Huelva y CIPHCN, 2021, 272 págs.

Medievalismo ◽  
2021 ◽  
pp. 501-503
Author(s):  
Juan Francisco JIMÉNEZ ALCÁZAR
Keyword(s):  
1970 ◽  
Vol 28 ◽  
pp. 203-224
Author(s):  
Déborah González

Resumo: Nas Cantigas de Santa Maria de Alfonso X, a sociedade medieval aparece representada dun modo máis ou menos realista. Textos e imaxes dan conta da mobilidade característica dos distintos grupos sociais que aparecen retratados nesta colección. Ademais, estas viaxes adoitan presentarse en estreita relación ao marabilloso, de tal modo que se presentan como unha aventura transformadora, non exenta de risco e emocións. Este traballo céntrase naquelas narracións das Cantigas de Santa Maria que incorporan unha travesía por mar, que normalmente aparece descrito como un medio indómito e perigoso para os homes, atendendo ás emocións que se desencadenan neses episodios de perigo mariño.Palabras chave: Cantigas de Santa Maria, Lírica galego-portuguesa, emocións, medo, coita, perigos do mar.«Danger and fear in the Cantigas de Santa Maria. Do mar e dos seus tormentos»Abstract: In the Cantigas de Santa Maria of Alfonso X, the medieval society is represented in a realistic manner. Into the collection, texts and images show the movement of different social groups. In addition, their travels involved marvels and miracles, so they were transforming adventures with risks and emotions. This paper aims to explore some narratives of the Cantigas de Santa Maria that include a journey across the sea, which is usually described as a wild and unsafe environment for medieval people, paying attention to the emotions that are triggered in those episodes of danger.Keywords: Cantigas de Santa Maria, Galician-Portuguese lyric, emotions, fear, coita (anxiety), dangers of the sea.


Author(s):  
Steven N. Dworkin

This short anthology contains extracts from three Castilian prose texts, one from the second half of the thirteenth century (General estoria IV of Alfonso X the Wise), one from the first half of the fourteenth century (El conde Lucanor of don Juan Manuel), and one from near the mid-point of the fifteenth century (Atalaya de las corónicas of Alfonso Martínez de Toledo, Arcipreste de Talavera). These passages illustrate in context many of the phonological, orthographic, morphological, syntactic, and lexical features of medieval Hispano-Romance described in the body of this book. A linguistic commentary discussing relevant forms and constructions, as well as the meaning of lexical items no longer used or employed with different meanings in modern Spanish, with cross references to the appropriate sections in the five main chapters, accompanies each selection.


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