Chloe Chard, Pleasure and Guilt on the Grand Tour: Travel Writing and Imaginative Topography 1600-1830. Manchester University Press, 1999. ISBN 0719048052. Price: £16.99.

2001 ◽  
pp. 0
Author(s):  
Sophie Thomas
Keyword(s):  
2021 ◽  
Vol 61 (4 (244)) ◽  
pp. 5-16
Author(s):  
Jakub Basista

Early Modern Grand Tourer in Poland-Lithuania. Fiction or Real Possibility? In the last fifty or so years, Grand Tour has become a very popular and extensively researched phenomenon. Although mainstream researchers have analyzed various aspects of the Grand Tour, they have tended to adopt a narrow definition limited to the experiences of young English gentlemen undertaking a study tour of Italy and France. This article poses a somewhat provocative question: was the Grand Tour feasible as a study tour of an English gentleman visiting Poland- Lithuania? Based on contemporary travel writing, the author reveals the challenges and the difficult logistics of such an undertaking.  


Author(s):  
Cynthia Wall

Travel literature emerges in letters, diaries, journals, biographies, travel narratives, country house guides, ship’s logs, poems, plays—and the novel feeds on them all. From London as a source of topographical mystery to be penetrated even by its inhabitants, to the newly tourable country estates; from the recently domesticated wilds of Scotland and Ireland, to the paths of the Grand Tour in Europe; and from the exotic lands across the seas to life on the sea itself, the rhetorics of travel supplied hosts of models for narrative and imagery in the early novel. The novel every bit as much as travel-writing is an exercise in ethnographic observation, sharing an interest in closely observed and analysed detail, in the similarities and differences of other cultures, in the remarkableness of the ordinary and the sometimes surprising familiarity of the unknown, and with journey at the centre of both.


Journeys ◽  
2020 ◽  
Vol 21 (2) ◽  
pp. 1-23
Author(s):  
Anna P.H. Geurts

Discussions of eighteenth- and nineteenth-century European travel have long tended to over-apply the model of the grand tour. It is increasingly recognized now that many British journeys to the Continent knew different motivations and itineraries, and were made from different subject positions than that of the young male aristocrat. An alternative model proposed for female travelers has its own limitations, however. It presents women as more open-minded than men, with a greater eye for detail and keen to escape patriarchal confinement at home. Yet female travelers’ wish and capacity to offer an alternative to the grand-tourist gaze was limited. Still, travel, travel writing, and publishing offered women a chance to explore new social models and lifestyles and develop new forms of personal independence.


Author(s):  
Michelle Sizemore

This chapter transitions to a discussion of “the people” as a nation, contextualizing its analysis within the rise of U.S. nationalism during and after the War of 1812. A work of American travel writing, Washington Irving’s Sketch Book showcases the rites of the Grand Tour, particularly literary pilgrimage, both to demonstrate U.S. competence for political sovereignty and to explore mystical communion between the Old and New World. Through an investigation of the sketch “Rip Van Winkle,” the chapter identifies an innovative mode of historical analysis that opens up an alternate understanding of the American people. The people are not a group of individuals in the here and now but a constellation of changing relations reaching backward and forward in time.


Author(s):  
Komal Yadav ◽  

The theory revolution and the counter-traditional wave in humanities in the 1980s have garnered attention towards new localism by positing alternatives to the great tradition. In this, Travel writing has proved adaptable and responsive to post-colonial and Globalization studies, thereby shaking off its ‘middlebrow’ status. Keeping in mind the relevance of travel writing in Global politics, the paper aims to engage with In an Antique Land: History in the Guise of a Traveller’s Tale (1992) by Amitav Ghosh to delineate the question of History, Travel and Narrative in Indian English Travel Writing. The paper contends that Ghosh uses the Hybrid non-fiction space of the travelogue to write a counter-narrative to the Eurocentric discourse of Travel writing. It seeks to foreground that the reverse Grand tour of Amitav Ghosh problematizes the western hegemonic hold on the field of Ethnography and History. The paper is divided into two parts- the first part will establish In an Antique Land as Resistive subaltern history, followed by the second part, which focuses on Ghosh’s privileging of third world ethnography to write an alternative narrative.


Author(s):  
Patrick Vincent

This chapter explores two possible interpretations of the British Romantics abroad, the first referring to the many writers who travelled on the Continent in this period, the second to their texts that circulated outside of Britain. It argues that these travellers as well as their books contributed to a shared sense of European identity and helped foster liberal democracy in an age of political reaction. The first part of the chapter shows how, despite clear differences between the Grand Tour, Revolutionary travel, and modern tourism, Romantic-period travel writing shares common features, among them the opposition between traveller and tourist, and the ideal of Europe as a system of politically emancipated nations. The second part reviews the channels of transmission, notably foreign reviews and pirated editions, that enabled the transnational circulation and reputation of British-authored texts and helped place Britain’s liberal brand of Romanticism at the forefront of European culture.


Sign in / Sign up

Export Citation Format

Share Document