scholarly journals Forming Ecomasculinities through Deep Ecology in Gravity's Rainbow

The Trumpeter ◽  
2021 ◽  
Vol 36 (1) ◽  
pp. 42-62
Author(s):  
Victoria Addis

This article examines the concept of ecomasculinity--how masculinities and ecologies interact--through the lens of deep ecology, arguing (following Serpil Oppermann) that Pynchon's postmodernist boundary collapsing informs deep-ecological interconnections for male characters previously embroiled in negative cycles of patriarchal dominance. Ecomasculinity is an important emerging concept within ecocriticism, and recognising links between the positive iterations of masculinity and ecology that the ecomasculine seeks to express and the philosophy of deep ecology furthers the conversation about the utility of deep ecology to contemporary society.

2010 ◽  
Vol 25 (38) ◽  
pp. 3229-3240 ◽  
Author(s):  
CHENG-ZHOU LIU

In the tunneling framework of Hawking radiation, the quantum tunneling of massive particles in the modified Schwarzschild black holes from gravity's rainbow is investigated. While the massive particle tunneling from the event horizon, the metric fluctuation is taken into account, not only due to energy conservation but also to the Planck scale effect of spacetime. The obtained results show that, the emission rate is related to changes of the black hole's quantum corrected entropies before and after the emission. This implies that, considering the quantum effect of spacetime, information conservation of black holes is probable. Meanwhile, the quantum corrected entropy of the modified black hole is obtained and the leading correction behave as log-area type. And that, the emission spectrum with Planck scale correction is obtained and it deviates from the thermal spectrum.


2015 ◽  
Vol 11 (3) ◽  
pp. 395-406
Author(s):  
Friedrich Kittler

The essay presents a reading of three war-related texts: Friedrich Schiller’s Wilhelm Tell, Heinrich von Kleist’s The Battle of Hermann, and Thomas Pynchon’s Gravity’s Rainbow. Written against the background of the Revolutionary Wars and the Prussian Wars of Liberation, respectively, the plays by Schiller and Kleist engage in the discursive construction of an emphatic sense of heimat (home), either by way of creating the new sentiment of homesickness (originally called nostalgia) or by advocating the complete destruction of the very home territory you are trying to defend. Gravity’s Rainbow, in turn, decodes the Second World War as a massive exercise in technology transfer. It effectively presents a deconstruction of heimat in an age in which the imperative to merge technologies supersedes all national agendas.


2014 ◽  
Vol 883 ◽  
pp. 598-614 ◽  
Author(s):  
Remo Garattini ◽  
Barun Majumder

2019 ◽  
Vol 938 ◽  
pp. 388-415 ◽  
Author(s):  
S. Panahiyan ◽  
S.H. Hendi ◽  
N. Riazi

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