Multiple Sclerosis in Mexican American Population

2005 ◽  
Vol 7 (4) ◽  
pp. 143-147 ◽  
Author(s):  
Victor M. Rivera ◽  
Samuel Landero

Multiple sclerosis (MS) prevalence has notably increased in Latin America. Although people of Mexican ancestry make up most of the Hispanic population in the United States, studies addressing MS in US- or foreign-born Latin Americans are scarce. Of the first 3000 consecutive individuals diagnosed with clinically definite MS at a specialized MS clinic in southeast Texas, 128 were identified as Mexican or Mexican American and are discussed in this article. The sample had a wide age distribution (6–71 years), with most patients diagnosed between the third and fifth decades. Of the patients studied, 68.2% had relapsing-remitting MS, 28.9% had secondary progressive MS, and 2.3% had primary progressive MS. The female-to-male ratio was 4.6:1.0; 60.9% of the patients were US born and 28.9% Mexican born. Sixteen patients commuted between countries. The study suggests that increasing frequency of MS among Hispanic people may augment the prevalence of MS in certain areas of the United States. Epidemiological observations, clinical characterizations, and possible genotypic therapeutic responses may derive from further studies.

2022 ◽  
Vol 3 (1) ◽  
pp. 121-147
Author(s):  
Ruben A. Arellano

This article outlines a brief historical sketch of the Danza Azteca-Chichimeca, or danza for short, which is becoming ubiquitous in areas of the United States with a significant Mexican American population. It looks at its origins during the early colonial period of Mexico, especially its mythological beginnings, to help elucidate the deep foundation of the dance tradition. This sketch also addresses the evolution of danza after it spread from its place of origin in the Bajío into major urban areas like Mexico City, where, once there, it changed due to ideological and political trends that circulated in the post-revolution period. The article also looks at danza’s pseudo-militaristic undertones to suggest that it might have contributed to the growing discontent among peasants and indigenous people, leading to Mexican independence. Some scholars have suggested that it, as a revitalizationist tradition, belongs in the “crisis cult” category. This analysis became evident when danza encountered neo-Aztec philosophies that promoted nationalistic and restorationist ideologies. In sum, the article touches on the popularity of danza in the United States despite the current climate of xenophobia and anti-migration, and nods at its growing international and global appeal.


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