Life at the Lek

2020 ◽  
pp. 150-179
Author(s):  
Thomas P. Hodge

This chapter tackles the major works that brought Ivan Turgenev's most fertile period to a close: On the Eve, First Love, and Fathers and Children. It gives a detailed summary of the three novels, and discusses the hunter's conception of nesting and mating which dominates these final two chapters. The chapter investigates zoological, botanical, and celestial motifs as well as Turgenev's deft use of hunting lore, history, language, music, religion, philosophy, classical mythology, and folk culture to enrich his complex narratives. For Turgenev, mating is a moment when opposed elements come together, when the precise fulcrum of nature's balance is readily detectable, and the suitability of a potential mate is exposed.

2015 ◽  
Vol 10 (2) ◽  
pp. 250-268
Author(s):  
Leo Mellor

This article traces the complex and potent role of classical mythology in the poet George Barker's work of the 1930s. Noting Geoffrey Grigson's rage about ‘narcissism’ when reviewing Barker in 1935 it shows why this barb was more perceptive and apposite – in acknowledging an obsession with both a figure and an overtly classical precedent – than the acclamation given to Barker at the time, from T. S. Eliot among others. Central to the article is an exploration of Barker's heterodox version of a common modernist urge: encountering and reworking of fractured myths. For the radical and ever-present notions of uncertainty with which classical tales and Gods are treated in Barker's work is also revelatory of the autodidactic process – incomplete, unstable, and without class-annotated cultural authority – by which he gained such knowledge. The article thus situates Barker within a cultural matrix, and draws renewed attention to the pluralities of poetry within 1930s Britain.


2019 ◽  
Vol 7 (8) ◽  
pp. 12
Author(s):  
Kunal Debnath

High culture is a collection of ideologies, beliefs, thoughts, trends, practices and works-- intellectual or creative-- that is intended for refined, cultured and educated elite people. Low culture is the culture of the common people and the mass. Popular culture is something that is always, most importantly, related to everyday average people and their experiences of the world; it is urban, changing and consumeristic in nature. Folk culture is the culture of preindustrial (premarket, precommodity) communities.


Author(s):  
Oleh Tyshchenko

The presented research reveals imagery-metaphoric and phraseological objectivities of the conceptual spheres Soul, Consciousness, Envy, Jealousy and Greed in Polish, Russian, Ukrainian, Czech and Slovak languages and conceptual picture of the world (first of all in proverbs and sayings, idioms, imagery means of secondary nomination both in standard language and its regional or dialectal variants) according to the indication of holistic characteristic and semantic intersection of these concepts. It describes the spheres of their typological coincidence and differences from the point of imagery motivation. It defines the symbolic functions of these ethno cultural concepts (object sphere) with respect to the specificity of manifestation of Envy in archaic texts, believes, in the language of traditional folk culture and archaic expressions with religious sense that reach Christian ideology, ideas of moral purity and dirt, Body and Soul. It has been defined the collocations with the components envy and jealousy in some thesauri and dictionaries in terms of the specificity of interlingual equivalence and expressions of envy and similar negative emotions and their functioning in the Ukrainian and English text corpora. The analysis demonstrated that practically in all compared languages and linguistic cultures Envy is associated with greed and jealousy, psychic disorders with a corresponding complex of feelings, expressed by metaphoric predicates of destruction and remorse that encode the moral and legal aspect of conscience (conscience is a judge, witness and executioner). Metaphor of Envy containing nominations of colours differ in the Slavonic and Germanic languages whereas those denoting spatial, gustatory, odour, acoustic and parametrical meaning are similar. Many imagery contexts of Envy correlate with such conceptual oppositions as richness and poverty, light and darkness; success is associated with the frames “foreign is better than domestic” where Envy encodes the meaning of encroachment upon another's property, “envy is better than sympathy”, “envy dominates where there are richness, success, welfare, happiness” which confirms the ideas of representatives in the field of psychoanalysis, cultural anthropology and sociology. In some languages the motives of black magic, evil eye (in Polish, Ukrainian and Russian) are rooted in the sphere of folk believes and invocations, as well as cultural anthroponyms.


2020 ◽  
pp. 139-144
Author(s):  
E.O. Orlova

The author reveals the understanding of the nomination of urban microtoponyms as a communication method within the community: preservation and transfer of culturally significant meanings. The signs of creativity are shown in Veliky Novgorod urbanonyms: deviation from stereotypes, overcoming schemes and a combination of associative elements. The use of words-images expressiveness is shown as a leading feature of Novgorod microtoponymics. The article describes the word-image characteristics which are the basis of urbanonyms.


Sign in / Sign up

Export Citation Format

Share Document