Nonclassical mythology on the cognitive problems and capabilities of myth ontology

This article is dedicated to the cognitive and epistemological peculiarities of the myth, which can be better understood relying on the principles and approaches of nonclassical science. The article discloses the key reasons for incomprehension of the myth by science, and explains the ways for its overcoming based on the broader sense of the myth. Within the framework of this paradigm, myth is viewed as a cultural universal, where mythmaking is a quality and function of consciousness. Such myth long ago has transcended the representations and formulas of classical mythology, and requires different attitude, considering the latest research (A. A. Gagaev, A. M. Lobok, V. M. Naydysh, and others). These studies indicate that modern (nonclassical) myth can be grasped only with consideration of latest discoveries in psychology, semiotics, and cognitive research, which prove that people have always been engaged in mythmaking, not just at the dawn of humanity. This means that on the agenda of scientific research of myth is the problem of existence of another nonclassical mythology and the creation of the universal theory of myth. All major elaborations of the leading theories of myth of the XX century are successfully synthesized within the universal theory of myth in accordance with the principle of mutual complementarity. This topic is increasingly relevant, and opens up new opportunities for science, fundamentally changing its perception of myth.

Sport and Spectacle in the Greek Bronze Age

e (including bull-catching, bull-leaping, and bull-sacrifice), Minoan and Mycenaean frescoes, vase paintings, and stone relief vases depict boxing and wrestling, and competitions with special clothing, protective gloves, and physical restraints or handicaps. Less well known are the depictions of archers, foot-racers, and acrobats. Competition may arguably include artistic representations of game boards and gaming, dance performances, and processions, and descriptions of poetry and musical contests in Homer and Hesiod and of discus throwing in mythology. There is also architectural evidence for enclosing the central courts in the Minoan palaces for protection and seating of spectators. Depictions on eighth-century-bce pottery testify to chariot-racing, musical performances, horsemanship, and the hunt. We also consider passim the participation of women in sport and competition, drawing upon Aegean Bronze Age representations of women archers, hunters, and charioteers, and upon classical mythology for their participation in early foot-races, wrestling, and the hunt.

ORÍGENES DE UNA ETIOLOGIA CUBANA EN ESPEJO DE PACIENCIA (1608) DE SILVESTRE DE BALBOA VEREDAS

This work examines the construction of an etiology or fable of origins by Silvestre de Balboa in Espejo de paciencia (1608). From the use of classical mythology, Balboa assigns a new symbolic value to Cuban nature that allows us to see the landscape based on an insular autochthonous feeling, marking the difference with the European landscape.