anthony trollope
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2021 ◽  
pp. 300-303
Author(s):  
Joanne Shattock ◽  
Joanne Wilkes ◽  
Katherine Newey ◽  
Valerie Sanders
Keyword(s):  

2021 ◽  
pp. 312-318
Author(s):  
Joanne Shattock ◽  
Joanne Wilkes ◽  
Katherine Newey ◽  
Valerie Sanders
Keyword(s):  

2021 ◽  
pp. 287-292
Author(s):  
Joanne Shattock ◽  
Joanne Wilkes ◽  
Katherine Newey ◽  
Valerie Sanders

2021 ◽  
pp. 112-113
Author(s):  
Joanne Shattock ◽  
Joanne Wilkes ◽  
Katherine Newey ◽  
Valerie Sanders
Keyword(s):  

Author(s):  
Ana Alicia Garza ◽  
Lois Burke ◽  
Sally Blackburn-Daniels ◽  
William Baker

Abstract This chapter has five sections: 1. General and Prose, including Dickens; 2. The Novel; 3. Poetry; 4. Periodicals, Publishing History, and Drama; 5. Miscellaneous. Section 1 is by Ana Alicia Garza; section 2 is by Lois Burke; section 3 is by Sally Blackburn-Daniels; sections 4 and 5 are by William Baker. In somewhat of a departure from previous accounts, this chapter concludes with a mixed-genre section that covers Samuel Butler Thomas and Jane Welsh Carlyle, Wilkie Collins, George Eliot and George Henry Lewes, George Gissing, Richard Jefferies, William Makepeace Thackeray, and Anthony Trollope. This is followed by a section containing additional materials that came too late to be included elsewhere. These sections have been contributed by William Baker, who thanks for their assistance Dominic Edwards, Olaf Berwald, Beth Palmer, Sophie Ratcliffe, and Caroline Radcliffe.


Author(s):  
Grace Moore

At the beginning of his 1873 Australasian travelogue, Anthony Trollope observed that the future prospects of Australia and New Zealand “involved the happiness of millions to come of English-speaking men and women” while noting that “it has been impossible to avoid speculations as to their future prospects”.  Philip Steer’s carefully-argued study of colonial settler writing in and about the Antipodes considers the cultural exchange between the Australasian colonies and the mother country, noting the importance of colonial culture to English realist writing.  Positioning his work as a “sustained reckoning with Edward Gibbon Wakefield”, for Steer “the evolving frenzy of exploitation and transformation in the settler colonies put pressure on metropolitan forms of the novel and political economy, and provided new conceptual vocabularies for understanding British society and subjectivity”.  In order to examine some of this pressure, Steer considers a range of authors—Victorian celebrities like Charles Dickens and Anthony Trollope, alongside lesser-known writers including Catherine Spence and Henry Crocker Marriott Watson.  He also seeks to re-evaluate how settler colonialism sits within Victorian writing generally, making a very convincing case for reconsidering the sense of overseas settlements as simply convenient places to which problematic characters might be banished.


2020 ◽  
Vol 83 (1) ◽  
pp. 45-68
Author(s):  
Sara Henary

AbstractAnthony Trollope uses the characters and drama of his “semi-political” Palliser novels to pursue the ends of Alexis de Tocqueville's political science in a lighthearted yet serious way. Describing himself as an “advanced conservative Liberal,” Trollope claims that his “political theory” is expressed most fully in the Palliser novels. Preoccupied with the phenomenon Tocqueville designates the “democratic revolution,” the novels emphasize the historical “tendency towards equality,” consider its social and political implications, and intimate how traditionally aristocratic England might respond to it. While he endorses the justice of the democratic revolution, Trollope shows that it is accompanied by such disadvantages as a decline in human excellence and greatness. Realistic depictions of character arouse sympathy for his view that by adopting a posture of prudent liberalism toward the advance of equality, the English could both reform their aristocratic institutions and rely on those institutions to mitigate the excesses of democracy.


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