REPRESENTAÇÕES DO HOMEM NORDESTINO E MANIFESTAÇÕES DO DISCURSO ÉPICO MODERNO NO LIVRO ISPINHO E FULÔ

This work aims to analyze the cordel literature/poems of the work Ispinho e Fulô, by Patativa do Assaré, under the perspective of French Discourse Analysis, the concept of Ethos and the epic Semiotization of discourse, thus, search for the discursive images of the Northeastern man and identify, in the cordel literature, the epic discourse characteristics. The research corpus brings together six poems/cordels that were categorized into two sub-themes: the man and the land, which are interconnected to conceive the representations of the Northeast and its people. From them, we were able to identify the discursive images of a strong and fighter man, as well as the ethos of the wronged rather than the miserable man: in contrast to the images that are generally disseminated about him. In the meantime, Patativa also creates a collective heroic identity for the Northeastern people and, through the approximation of the characteristics of the cordels and the characteristics of the epic discourse, he shows that there are still ways of manifesting this discourse in modern times.

ORÍGENES DE UNA ETIOLOGIA CUBANA EN ESPEJO DE PACIENCIA (1608) DE SILVESTRE DE BALBOA VEREDAS

This work examines the construction of an etiology or fable of origins by Silvestre de Balboa in Espejo de paciencia (1608). From the use of classical mythology, Balboa assigns a new symbolic value to Cuban nature that allows us to see the landscape based on an insular autochthonous feeling, marking the difference with the European landscape.

¿AMIGO O ENEMIGO? CRISTIANOS Y MUSULMANES EN EL ROMANCERO ESPAÑOL Y LAS BALADAS TRADICIONALES GRIEGAS

El artículo bajo consideración constituye una aproximación comparativa entre el romancero español y las baladas tradicionales griegas. Lo que se pretende concretamente es estudiar la relación entre los cristianos y los musulmanes en los romances épicos y fronterizos y sus análogos griegos, los cantos acríticos. Mediante fragmentos de ambos géneros se presenta la relación de amistad o de enemistad, de convivencia o de odio entre cristianos y musulmanes. Se estudian aspectos como la guerra, la alianza entre pueblos y los descendientes de ambas razas. El trabajo llega a su fin con unas consideraciones finales.

UNA NOTA SOBRE LAS REFERENCIAS A LAS AVES DE CAZA EN EL TAPIZ DE BAYEUX Y SU RELACIÓN CON EL CANTAR DE MIO CID

En el presente trabajo realizamos un estudio comparativo de las imágenes vinculadas con la cetrería en el Tapiz de Bayeux y en el Cantar de Mio Cid. En primer lugar analizamos las imágenes del tapiz en las que aparecen aves de caza: la representación de las mismas nos sitúa en un entorno nobiliario en el que simbolizan tanto el ocio estamental como, en sentido derivado, las intenciones de paz y concordia en las relaciones diplomáticas. Posteriormente un análisis contrastivo con la secuencia bélica de tapiz nos permite señalar que la exclusión de las aves de caza de la seccción se justifica por la no adecuación de las mismas a la actividad guerrera. En seguida, luego de comparar las observaciones realizadas sobre el tapiz con la ausencia marcada de las aves al comienzo del Cantar, llegamos a la conclusión de que dicha ausencia sugiere no solo la clausura del ocio estamental para el Cid, sino también la ruptura de las negociaciones diplomáticas y el comienzo de su actividad guerrera.

SELVA O(CULTA): O EPOS E A JORNADA MÍTICA EM LOS REINOS DORADOS

Este artigo apresenta uma análise da epopeia Los Reinos Dorados (2007), do escritor boliviano Homero Oliva. Partindo da constatação de que o texto épico em foco possui fortes traços líricos ao mesmo tempo em que relata um retorno do eu-lírico/narrador a sua ancestralidade, propõe-se uma leitura mítico-histórica da obra: mítica porque parte de elementos simbólicos do texto e histórica em função do debate sobre os povos originários provocado nesse retorno ao passado. Para isso, o conceito de herói mítico de Joseph Campbell (1949) torna-se crucial, pois nos permite ver, na busca identitária do eu-lírico/narrador de Los Reinos Dorados, o percurso a ser cumprido pelo herói de natureza mitológica, segundo o autor estadunidense. Além disso, também são relevantes os estudos sobre o processo de reterritorialização dos povos originários, a exemplo de Monarca (2017) e Ortiz (2011), uma vez que a grande interpretação a que se chegou da jornad

ALGUMAS INCURSÕES ENTRE O HISTÓRICO E O MARAVILHOSO EM A LÁGRIMA DE UM CAETÉ

In this article, we intend to understand certain literary and historical elements that permeate the work A Lágrima de Um Caeté (1849), by Nísia Floresta, and, for this purpose, we will dialogue with Candido (1985), Margutti (2019), Vasconcelos and Ramalho (2007), Duarte (1999) and Quijano (2005). Our main objective is to follow some paths that show how the book has both traces of a critical Indianism and elements that go back to epic texts for recovering the collective heroism, the historical and the wonderful plan, but at no time will we put the author's narrative lyricism in a prefixed and/or crystallized pattern, as this does not match the directions of the text that we will look at. Furthermore, we will also touch on the issue of decoloniality, as we will enter an environment of acculturation and destruction of indigenous culture and the text under study ends up becoming a poetry of resistance.

RESSIGNIFICANDO O HEROÍSMO ÉPICO CLÁSSICO: SOLANO TRINDADE EM "CANTO DOS PALMARES"

This work starts from the analysis of Solano Trindade’s "Canto dos Palmares". We seek to highlight, through the theorization of Anazildo Vasconcelos da Silva (2017), how the poet intertwines a hybrid repertoire of Afro-Brazilian references without losing the dialogue with classical epic poetry. We see that the construction of the heroism of Zumbidos Palmares forges a new epic subject, structured by the real, mythical dimension, and diluted in national identity. The collective struggle of black population is associated with “quilombismo", formulated by Abdias Nascimento (2019), and Brazilian, epic of nineteenth century, whose base maintains a close relationship with bandeirismo in the Parnasiana epic. Thus, the rereading of the national formation rests on the dedication of love to life and in defense of freedom.

AS INSTÂNCIAS GRECO-ROMANAS NA COMPOSIÇÃO DE MUHURAIDA, DE JOÃO WILKENS

This article reflects on the creative aspects of the epic Muhuraida (1785), by Henrique João Wilkens. In it, three instances of composition are identified: Judeo-Christian, Greco-Roman and hybrid, which merge the previous ones. Despite being considered a "Christian epic", whose approaches alternate between the wonderful (Christian mythical) and the historical (the advance of Portuguese colonization in the Amazon), the evocation of European culture in the literary plane is highlighted, moving away from the readings carried out so far that extol the wonderful Christian plan of epic materiality and its paradoxical consequences of context; in other words, it deals with Greco-Roman instances, illuminating three forms of use by the poet: as a conductor of his voice, as a construction of the image of the enemy Mura, and as a construction of the image of Amazonian nature. To achieve this goal, the theoretical foundation of Silva (2017) and Ramalho (2004) is listed on the Arcade-Neoclassic Epic Model; Graves (2018), Kury (2008), Snell (2005), Brandão (1991) on Greco-Roman mythology and culture, and a small critical fortune Grizoste (2018; 2017), Góis (2013), Silva and Ramalho (2011), Bogéa (2011), Caldas (2010; 2007).

CANTO GENERAL E SOUTH AMERICA MI HIJA: UM OLHAR SOBRE “ALTURAS DE MACCHU PICCHU”

“Alturas de Macchu Picchu”, second book from the poem by Pablo Neruda Canto General (1950), is, according to critics, the best known of the epic. The writer Sharon Doubiago, in South America Mi Hija (1992), makes with such book an intertextual dialogue from which stand out similarities and differences, that is why the purpose of this study is to investigate some of the resonances that this dialogue provides. For this purpose, bibliographic research was made based on authors such as La Vega (1604), Steel (1967), Alegría (1981), Kirk (1993), Santí (2011), among others, and the presentation and analysis of excerpts from corpora poems, the dialogue between them will be shown in this article. It is evident that the notions of ruin and poetic justice are contrasted by the way in which writers somehow redeem narratives that are components of the history of the defeated, placing them as a component of the identity of the Latin American peoples, resulting in a voicing strategy (be it from the collective, be it individual characters – mostly female, in Doubiago) that start from a look at the past with a view to understanding the present.

Alma Vênus, de Marco Lucchesi, e o diálogo com A divina comédia.

The present work sought to approach the dialogue between the dantesque classic and contemporary brazilian poetry, more specifically with the carioca poet Marco Lucchesi, as a way of bringing the classic and the contemporary, in their familiarities. We use comparative literature as an essential tool in terms of understanding and identifying the resonant points in different works and poets, and the way that literature is transformed or transfigured within multiple views, but that are familiarized with the idea of the human, of restlessness, of search for directions. In this way, we dedicate our attention to the common points between the two literary works studied, going through philosophy, criticism and literary theory, in order to provide an objective and clear discussion between the classic and the contemporary. With this, we tried to discuss the importance of Divine Comedy in contemporary times by comparing it with the work Alma Vênus (2000), by the brazilian poet Marco Lucchesi