Perancangan Kawasan Kreatif Tekstil Cigondewah Dengan Pendekatan Arsitektur Organik Menggunakan Metode Konstruksi Arsitektur Modular

Indonesia in 2045 will have a demographic bonus with a population structure of 70% in the productive age group (15-64 years). One of the biggest contributors is the province of West Java. The young generation of West Java is recognized by UNESCO by making the West Java Capital City, Bandung, a creative city. Bandung people's creativity is used as a provision for Bandung's highest export commodity, textiles, to increase its productivity. Textile productivity is poured by accommodating textile players to sell textiles, creating textile ideas, creating textile products, and introducing textile products. The four functions were designed to be designed in the Cigondewah Textile Area. The Cigondewah textile area is listed in the Bandung City RTRW as a textile center. The area is designed along Jalan Cigondewah Kidul with a length of 250 m. The area along Jalan Cigondewah Kidul was designed with output in the form of guidelines for facade improvement and remapping of functions along Jalan Cigondewah Kidul. Along Jalan Cigondewah Kidul, a site of 14,000 m2 of land was chosen to be built for a creative center for textiles consisting of buying and selling functions, collaboration space, exhibition space and workshop space. There are several issues in the design of the Cigondewah Textile Area. that is, the influence of the region to support the City of Bandung as a Creative City, the carrying capacity of the Region to the productivity of textiles, and to create a space that is comfortable to users. The above issue was initiated to be solved using an organic architecture approach that is dynamic and novelty. The nature of organic architecture was conceived to resolve the issue adaptively by using modular construction technology to increase efficiency.Abstrak: Diperkirakan pada tahun 2045 struktur populasi 70% pada kelompok usia produktif antara usia 15 sampai 64 tahun sebagai bonus demografi. Salah satu penyumbang terbanyak adalah provinsi Jawa Barat. Generasi muda Jawa Barat diakui oleh UNESCO dengan menjadikan Ibu Kota Jawa Barat, Bandung, sebagai kota kreatif. Kreatifitas masyarakat Bandung dimanfaatkan sebagai bekal bagi komoditi ekspor tertinggi Kota Bandung, tekstil, untuk meningkatkan produktifitasnya. Produktifitas tekstil dituangkan dengan mengakomodasi pelaku tekstil untuk menjual tekstil, menciptakan ide tekstil, menciptakan produk tekstil, dan mengenalkan produk tekstil. Keempat fungsi digagas untuk dirancang di Kawasan Tekstil Cigondewah. Kawasan tekstil Cigondewah tercantum pada RTRW Kota Bandung sebagai sentra tekstil. Kawasan dirancang sepanjang Jalan Cigondewah Kidul dengan panjang jalan 250 m. Kawasan sepanjang Jalan Cigondewah Kidul di rancang dengan keluaran berupa pedoman perbaikan fasad dan pemetaan ulang fungsi di sepanjang Jalan Cigondewah Kidul. Pada sepanjang Jalan Cigondewah Kidul dipilih satu wilayah tapak seluas 13.000 m2 yang akan dibangun pusat kreatif tekstil yang terdiri dari fungsi jual beli, ruang kolaborasi, ruang pameran dan ruang workshop. Terdapat beberapa isu pada perancangan Kawasan Tekstil Cigondewah. yaitu, pengaruh kawasan untuk mendukung Kota Bandung sebagai Kota Kreatif, Daya dukung Kawasan terhadap produktifitas tekstil, dan menciptakan ruang yang nyaman kepada pengguna. Isu diatas digagas untuk diselesaikan menggunakan pendekatan arsitektur organik yang bersifat dinamis dan kebaruan. Sifat dari arsitektur organik digagas untuk menyelesaikan isu secara adaptif dengan menggunakan teknologi konstruksi modular untuk meningkatkan efisiensi.

Quando il Moderno cerca radici. Casa Balmelli di Tita Carloni e Luigi Camenisch

"The article reconstructs the genesis of Casa Balmelli, designed and built in Rovio (Canton Ticino) in 1956-1957 by Tita Carloni and Luigi Camenisch. Among Carloni’s first works in Ticino after the completion of his studies at the ETH Zurich, Casa Balmelli has often been presented as an example of the current of Organic Architecture that developed in Ticino in the 1950s and saw a particularly flourishing phase in the following decade. However, while the house certainly embodies organic features by aiming at a perfect integration with its surroundings through the use of natural materials and the geometric reinterpretation of the landforms of its setting, its internal spatial qualities have little to do, for instance, with Wrightian models. Rather, the ordering function attributed to geometry is its most notable quality and is a common denominator of the research conducted in Ticino on the organic architecture front: a geometry that relates to the characteristics of the site and seeks a certain degree of formal abstraction."