interwar britain
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2021 ◽  
pp. 1-24
Author(s):  
Michal Shapira

Sylvia M. Payne was one of the first women to practice psychoanalysis in Britain. Though she became president of the British Psychoanalytical Society, not a single scholarly work is dedicated to Payne's intellectual ideas—a substantial historical lacuna, especially when compared with the research on Ernest Jones, one of Sigmund Freud's early disciples and the president who preceded her. This essay presents the first exploration of her early work. It focuses on her belonging to a group of British analysts who challenged Sigmund Freud's thinking on sexual difference. The full scope of this challenge, I argue, as it emerged in interwar Britain, has remained unexamined until today. Adding to the scholarship on the prominent and lesser-known roles of women in psychoanalysis, the article shows that Payne made significant contributions to the field; she also developed the work of Melanie Klein, on whom we also need more research. The study describes the life and work of a woman who has been neglected in the historiography of twentieth-century intellectual history. It engages with broader methodological questions of how to define the political, historical role of female psychoanalysts of her generation.


Author(s):  
Alex Aylward

Abstract Ronald Aylmer Fisher (1890–1962) is today remembered as a giant of twentieth-century statistics, genetics and evolutionary theory. Alongside his influential scientific contributions, he was also, throughout the interwar years, a prominent figure within Britain's eugenics movement. This essay provides a close examination of his eugenical ideas and activities, focusing particularly upon his energetic advocacy of family allowances, which he hoped would boost eugenic births within the more ‘desirable’ middle and upper classes. Fisher's proposals, which were grounded in his distinctive explanation for the decay of civilizations throughout human history, enjoyed support from some influential figures in Britain's Eugenics Society and beyond. The ultimate failure of his campaign, though, highlights tensions both between the eugenics and family allowances movements, and within the eugenics movement itself. I show how these social and political movements represented a crucial but heretofore overlooked context for the reception of Fisher's evolutionary masterwork of 1930, The Genetical Theory of Natural Selection, with its notorious closing chapters on the causes and cures of national and racial decline.


2021 ◽  
Vol 16 (2) ◽  
pp. 216-241
Author(s):  
Matthias Somers ◽  
Sami Sjöberg

The British modernist little magazine Ray: Art Miscellany (1926–1927) pioneered the combination of text and image in the vein of the Continental avant-gardes. Amid the surge of interest in periodicals within modernist studies, Ray has managed to escape broader attention. Its editor, Sidney Hunt, was an enigmatic figure and the magazine itself also eludes categorization, as it did not conform to the standards of English modernism, which were in the process of crystallising at the time of its publication and then dominated the scholarly consensus on artistic innovation during the interwar period. Focusing on the specificities of the magazine form and on Ray's explicitly interartistic and transnational ethos, this article locates Ray within the spectrum of British ‘modernisms’, while interpreting its manifest effort to introduce various European avant-garde movements to a British audience as part of a strategy to establish an alternative modernist project grounded in the ideals of the moribund Arts and Crafts tradition.


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