This brief epilogue revisits prominent early modern commentaries on revenge in order to show how theater, by doing philosophy in the ways illuminated in the book, investigates in a more expansive manner the relation between ontological assumption and embodied action found in the era's expository prose. Early modern authors commonly describe justice, in whatever form it takes, as the sensible scourges delivered by the invisible hand of God. In closing, this chapter discusses theater's distinctive capacity for exploring – with considerable more latitude than possible in didactic texts centered on religious, legal, or political theory – the complexities inherent in tracing embodied action to its various ontological roots.