PLOT, STORY, COMPOSITION IN THE EMOTIVE TEXT OF POETRY

In the article there is an attempt to enter emotion in the structure of work, namely to look at its action at the level of plot and composition. It becomes firmly established that an emotion is just the way to create a plot. The poetic work consists of emotional events, each of which has its own dominant emotion. Motion of these emotions forms composition of a plot. A thesis is grounded that emotional events, incorporated by a general emotion, express certain emotive topics that predetermine as a whole the development of a plot. Emotions are a part of poetic text, emotions determine its emotionality and serve as material for revealing of the emotions in a plot. It is noted that Maksim Tank gives preference to his anecdotal works where a little story is present and where elements of plot – emotive topics – are linked by a cause-and-effect relationship. But Yauheniya Yanishchyts avoids a strict efficiency of verse structure, she prefers to leave emotions and feelings free.

Strict Efficiency in Vector Optimization with Nearly Convexlike Set-Valued Maps

The concept of the well posedness for a special scalar problem is linked with strictly efficient solutions of vector optimization problem involving nearly convexlike set-valued maps. Two scalarization theorems and two Lagrange multiplier theorems for strict efficiency in vector optimization involving nearly convexlike set-valued maps are established. A dual is proposed and duality results are obtained in terms of strictly efficient solutions. A new type of saddle point, called strict saddle point, of an appropriate set-valued Lagrange map is introduced and is used to characterize strict efficiency.