business history
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2022 ◽  
pp. 52-62
Author(s):  
John F. Wilson ◽  
Ian G. Jones ◽  
Steven Toms ◽  
Anna Tilba ◽  
Emily Buchnea ◽  
...  

2022 ◽  
Author(s):  
John F. Wilson ◽  
Ian G. Jones ◽  
Steven Toms ◽  
Anna Tilba ◽  
Emily Buchnea ◽  
...  
Keyword(s):  

2022 ◽  
pp. 33-51
Author(s):  
John F. Wilson ◽  
Ian G. Jones ◽  
Steven Toms ◽  
Anna Tilba ◽  
Emily Buchnea ◽  
...  
Keyword(s):  

2022 ◽  
pp. 6-32
Author(s):  
John F. Wilson ◽  
Ian G. Jones ◽  
Steven Toms ◽  
Anna Tilba ◽  
Emily Buchnea ◽  
...  
Keyword(s):  

2022 ◽  
pp. 84-93
Author(s):  
John F. Wilson ◽  
Ian G. Jones ◽  
Steven Toms ◽  
Anna Tilba ◽  
Emily Buchnea ◽  
...  
Keyword(s):  

2022 ◽  
pp. 63-74
Author(s):  
John F. Wilson ◽  
Ian G. Jones ◽  
Steven Toms ◽  
Anna Tilba ◽  
Emily Buchnea ◽  
...  

2021 ◽  
Author(s):  
Brent S. Salter

Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.


2021 ◽  
pp. 1-43
Author(s):  
Adam K. Frost

Business history is expanding to include a greater plurality of contexts, with the study of Chinese business representing a key area of growth. However, despite efforts to bring China into the fold, much of Chinese business history remains stubbornly distal to the discipline. One reason is that business historians have not yet reconciled with the field's unique origins and intellectual tradition. This article develops a revisionist historiography of Chinese business history that retraces the field's development from its Cold War roots to the present day, showing how it has been shaped by the particular questions and concerns of “area studies.” It then goes on to explore five recent areas of novel inquiry, namely: the study of indigenous business institutions, business and semi-colonial context, business at the periphery of empire, business during socialist transition, and business under Chinese socialism. Through this mapping of past and present trajectories, the article aims to provide greater coherence to the burgeoning field and shows how, by taking Chinese business history seriously, we are afforded a unique opportunity to reimagine the future of business history as a whole.


2021 ◽  
pp. 1-40
Author(s):  
Christian Marx ◽  
Morten Reitmayer
Keyword(s):  

2021 ◽  
Vol 22 (4) ◽  
pp. 893-920
Author(s):  
NEIL ROLLINGS

Business is commonly regarded as one of the powerful actors in the world today. However, this position is neither as straightforward as often believed nor particularly new. Nevertheless, business historians have not focused on the topic of business power to date, often leaving it as something lurking in the background of their analyses. There are signs that this may be beginning to change with the growth of studies on the history of capitalism, but this revised presidential address encourages business historians to engage more fully and explicitly with the concept of power and to recognize the different ways in which the concept can be used to enlighten the study of business history.


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