colour television
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2021 ◽  
Author(s):  
Laura Melinda Hepes

This Major Research Paper sets out to provide an overview of the transition to High Definition television broadcasting from a Canadian perspective using a variety of research methods including interviews with executives from Canada's top media companies, policy research and case studies. This paper will illustrate how the transition to digital television and High Definition (HDTV) technology will fundamentally change the way a television program is produced, broadcast, distributed, and viewed by the audience. It is anticipated that this changeover will significantly alter the economic business models of broadcasters, producers, and broadcast distribution undertakings. It will also affect programming services, while completely restructuring the technical infrastructure of the industry. Therefore, the significance of this changeover has been compared by many as being similar to the switch from black and white to colour television in the 1950s (Brace, 2007; Brinkley, 1997; Galperin, 2004; Hart, 2004; Heidendahl, 2007).



2021 ◽  
Author(s):  
Laura Melinda Hepes

This Major Research Paper sets out to provide an overview of the transition to High Definition television broadcasting from a Canadian perspective using a variety of research methods including interviews with executives from Canada's top media companies, policy research and case studies. This paper will illustrate how the transition to digital television and High Definition (HDTV) technology will fundamentally change the way a television program is produced, broadcast, distributed, and viewed by the audience. It is anticipated that this changeover will significantly alter the economic business models of broadcasters, producers, and broadcast distribution undertakings. It will also affect programming services, while completely restructuring the technical infrastructure of the industry. Therefore, the significance of this changeover has been compared by many as being similar to the switch from black and white to colour television in the 1950s (Brace, 2007; Brinkley, 1997; Galperin, 2004; Hart, 2004; Heidendahl, 2007).



2020 ◽  
Author(s):  
Jonathan Conlin

Abstract The documentary series Ways of Seeing was broadcast on BBC television in January 1972. Directed by Mike Dibb and presented by the marxist critic John Berger, the series addressed the canon of western art history as well as contemporary consumer culture. The conspicuous use of cross-cutting and music along with Berger’s emphatic ‘talking-head’ delivery were employed to dispel the aura enveloping ‘original’ artworks, and reveal the technologies by which art historians, curators and advertising agencies shored up a capitalist, western, male social order. The series and its associated book were canonical for the nascent disciplines of media and culture studies. Drawing on scripts and other materials from the BBC, Berger and Dibb archives, this essay explains how the four episodes were conceived and executed. It places the series in the context of Berger’s prior activity as artist, art critic, presenter and author, noting the influence of Frederick Antal, Walter Benjamin and others. It concludes that Berger’s charisma and the mastery of the relatively new technology of colour television displayed by the series undermined its intent: rather than encouraging viewers to use images in framing their own personal narratives, its message was consumed as an invitation to view all images in political terms.



Screen ◽  
2020 ◽  
Vol 61 (3) ◽  
pp. 487-489
Author(s):  
Stephen McBurney
Keyword(s):  




2019 ◽  
Author(s):  
N.A. Smith ◽  
K.J. Austin ◽  
J. Lecocq ◽  
D. Lewis ◽  
G. Major ◽  
...  


2018 ◽  
pp. 118-130
Author(s):  
Christopher Layton
Keyword(s):  


Author(s):  
Debabrata Mukhopadhyay ◽  
Arun Kumar Mandal

In recent years, Indian rural market has been gaining increasing attention from researchers in view of its growing importance in huge potential marketing for various consumer durables such as white goods, brown goods and consumer electronics. India has a vast rural market, which consists of around 833 million potential consumers constituting 68.84% of the total population spread over 6.40 Lac villages. Rural India is now exhibiting changing living standard with higher income, modern education and infrastructure development. This is leading to higher demand for several consumer durables such as colour television, refrigerator, two wheelers etc. The urban consumer's durable market is growing annually 10% to 20%. The corresponding rural market is zooming ahead 20% to 40% annually. Thus, this chapter attempts to investigate the changing market penetration of consumer durables in rural India during 1995-96 to 2009-10. This work also finds out the role of per capita income, rural infrastructure in market penetration of consumer durables.



Author(s):  
Simon Moorhead

A historic paper from the Journal in 1976 regarding the colour conversion of transmitters in the National Television Service by Telecom Australia



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